Posted on

Short Story: Birds of a Feather

Joe waited until he was home alone before opening the bag. He dropped it on the kitchen table over a touristy place mat and scattering of unopened envelopes. His sweaty fingers gripped the zipper and the canvas spilled apart into a loose yawn. Neatly wrapped bundles of cash clumped in a corner. Joe had never seen six thousand euro in cash before.

It seemed measly, frugal to the needy eye: no retort to the heavy null of a stripped bank account. But it was real. And realer still, when he carefully counted the six bundles one by one, taking off each elastic band, touching one to twenty fifties, leaning in close enough to smell them, studying their varied conditions: some fresh and new from an ATM, others worn with soft foldings from round trips through hand, wallet, pocket, till, safe, and bank.

In his mind Joe ticked off what each bundle could offset. A trip to the mechanic avoided since car test repairs. Visits to two old school friends who got him through Christmas. A call out to his brother’s neat gated bungalow. And the bank. Christ, the bank. He would soak up questioning glances; project calm normality. Just another banal lodgement on a quiet Tuesday afternoon.

“Five thousand. Cash. Yes, might as well get square up that overdraft while I’m here.”

Then the envelopes: bills, rent arrears, fees and charges, lapsed subscriptions, accumulated interest, all grown wild from drought. Their thirst swelled as his well dried, drop by drop to a pinched drip. CHecklist of upcoming necessities. A proper car seat for Maria. Untorn couch. Internet connection. Phone credit. Shoes. Cousin’s wedding. Haircut. Bank Holiday weekend.

One hundred and twenty scraps of painted paper. His friends would wonder. His brother would ask. Get a new job? Sell the car? Where from? Who from? Joe trod down on memories of the morning just passed. He’d waited for the first time as a customer in the hotel restaurant, until the Richard Murphy he had only ever messaged on Facebook flowed over like an old friend by happenstance, to sit for half a minute before darting off again. As though he hadn’t stopped at all, an in-flight refuelling high up in thin air, precariously perched in the stratosphere, lumbering fat bird sucking kerosene through a straw. He’d ignored the grey canvas bag left casually on the restaurant table until it seemed normal to be finished; normal as a regular on a daily pitstop.

Joe was a goose fat with corn on a field in France.

*********************************************************************************************************

Fifty then to fill up the car, or maybe fifty five to full, but Joe was loathe to break the notes. One down, one hundred nineteen held. But once inside, minor crisis. The strange fury of options, the power of having the the price of each in his pocket, the inflating of personhood from scavenging crow to keen hovering raptor; they conspired from pump to counter, to accessorize him with a basket of colourful packaging that he barely remembered picking.

“Cash. Yeah, 50 on pump 2. Sound. It is yeah, hopefully it’ll stay dry for the weekend.”

One hundred eighteen and a pocket of jingle. Wine for the dinner. Snacks for Maria. Ennobled emerger, he could glide from one end of the town to the other with the dignity of purchasing power. As the balloon inflated out into its mould, knots of narrowing frugality formed as a view, falling down and away. Eye contact and a firm handshake were restored to the world. From one end of Main Street to the bridge. One hundred seventeen. One hundred sixteen. One hundred fourteen. Ticking off burdens that had drained days to briarthorned gaps. The head up, opening of envelopes, and scornless listening of advertising resumed. One hundred twelve. And finally the bank, first refuser, great tut tutter and besuited charger of fees for nonpayments of fees. And having to fill out a lodgement slip with sweating fingers before the security guard pointed him to a machine instead and then a good minute trying to remember the card password.

“Enter amount to lodge.”

5… 0… 0… 0… backspace… backspace… backspace… backspace… 4… 0… 0… 0… ENTER

The machine didn’t mention the fine weather, just arrived, or muse about its chances of lasting. To the weekend? Beyond?

Joe was a flustered mallard landing in a canal in a strange city.

*********************************************************************************************************

He waited until Michella had left for her new evening class before abandoning couch and tv. He found Maria’s thick puddle suit hanging under the stairs. She blinked and happily made garbled word-shaped sounds as he put her into the sleek car seat. She kept up as they crossed the town and out to one of its appended estates. “Good girl,” he replied every so often to her babbled bubbles of sound.

Mike should be at home by now. And yes the car was outside, and yes he came to the door, and they both marvelled at Maria’s shooting growth and alertness, and how they should have a proper class reunion, and he didn’t stiffen up, much, when Joe put point to purpose and, wishing he was a million miles away under bare sun, asked if he could have the repayed money back again to tie himself over for this month’s rent.

“I think there’s work going down at the meat factory” offered Mike, but only after he had given Joe what cash he had, silently pocketed. “I know you’re doing a bit, but maybe you should ask down there? They’re always busy with the deli trade. And it’s not seasonal like hotel work.”

Joe thanked and thanked meaningfully and needed to leave. Swallow the medicine. Pain, weakness leaving the body. Mike stayed in the door.

“I was surprised you paid me back so quick last time. I mean… I was wondering. Did you get a loan?” Now he looked Joe right in the eye. ” It’s all the same to me Joe, I just want it to work out for you.”

Joe was stuck on the step, stuck stuck stuck, on a needle of knowing in a brute animal getting to tomorrow and tomorrow alone.

“I got a loan, yeah. But it’s… the interest you know? I thought I’d have more hours now. I might go down and ask at the factory alright.”

“Do, do. Steady hours, might do for a while until you get set up.”

He caught Joe’s averted gaze as it passed one more time.

“Listen, I don’t want to be a dick, but, well, I can’t tell you where I heard it, but, well, I did hear you might have borrowed from Murphy. I just wondered if there was anything to it?”

Maria would be getting restless in the car seat. Michella would finish soon. Needle in the hind. Mike had been the soundest of them.

“I was stuck Mike. The bank wouldn’t touch me. You know, the car broke down again and things have been really quiet.”

“I hear ya, I do. He’s a bad fish Joe, a bad fish. Have you had any hassle?”

Joe was a featherless, plucked chicken on a chute to hungry deli cleavers.

“He’s been calling. Leaving messages. Telling me stuff that he knows. About my family. About Michella. Maria even. I stopped answering. I’ve paid off most but there’s a lump left that won’t shrink. Got caught short a few times and he adds new interest.”

“Fuck, Joe, that’s a tough one. That’s a catch. He’s a bad fish, the fucker.”

Joe nodded.

“Listen, I better get going, I have to get her home.”

“Sound. Hang on a second though. That Murphy is a real prick. No good. I know a guy. Well, I know of a guy- might be able to help. Just in case- if it comes to it. There are people who can play him at his own game. You don’t need this shite.

Joe drove home with Maria falling asleep and a number for a guy who knows a guy saved on his phone. He would think about it tomorrow.

*********************************************************************************************************

“Outside the back door of Langans then. Eight. Ya better have it this time. Enough bullshit excuses. If ya want a charity go to the fucking church.”

“I’ll be there. Eight. Have it all this time.”

Joe stared at the phone and wiped his face. There was a steadiness now at least. He could make eight. The rest of it could look after itself.

Michella was changing Maria in the kitchen.

“Are you going out again?”

“Just for a few minutes. Do you need anything from the shop?”

“No; weren’t you down there an hour ago?”

“Yeah but I forgot to get petrol. I have to start early tomorrow.”

“Ok”

7:50. The car had a quarter tank and would last until Friday. Joe parked it off Main street, and walked along looking down at the disjointed pavement. His phone pinged again. New message.

“There now. Will wait. Say nothing to him.”

Head down, and it was dark and quiet, suspended in transition from open to shut. Joe was a vigilant hooded crow on a flickering street light. Langans. The back door down the side lane. Dim as a cellar. He trod on the instinct to survey the shapes of the shadows. What would be, would be. 8:02. He waited.

8:05. The pub back door opened. Murphy. Broad, leaning, shrugging. Purchasing power of embraced lawlessness. Games played in wraps of laneway shadows, banal as the pouring of pints or blinking of bank machines.

“Ya got it?”

“I got it.”

“About time. Come on then.”

Joe looked around, one hand going to pocket, eyes pleading.

Murphy closed in, burstling layers of threat, fist or steel somewhere in the dark.

“Gimmie a second, I got it, I got it.”

“Shut up to fuck and get it over with. You think I’m a fool?”

The first blow and Joe crumpled, electric needle of knowing and crude fuel of giving in, the world proving the charges he set it. The second blow and a scattering of senses.

“The fuck you playing at? I don’t need this shit.”

And then different shadows, peeling off from lane walls, and such a sudden rush of peeling, of forces multiplied, the embodiment and bloodyment of just reply, and two pairs of strong arms finding Murphy to buckle him, shadow throne to blood dripping down laneway drain, with Joe frozen against the other wall until barked at to scram.

He could hear them delivering their message – his message – to uselessly flapping Murphy, as he wished he was a million miles away under bald sun but was still-winded scrambling back towards the streetlights.

“That’s what ya get ya scum. Fuck off back to your hole. We know who you are. Fuck off out of town or you’ll leave in a hearse. Fuck off or you know what’ll happen. Fuck off. Fuck off. Fuck off.”

Joe was a startled snipe bursting from bog.

**************

“What took you? Did you get petrol?”

“huh? Um, no. Already closed. Just walked a bit”

“You don’t look well. Are you feeling sick again?”

“No, no, just needed some air. I’m ok now.”

“You don’t look ok.”

“I need a shower, that’s all. Shower and sleep. Long week.”

“Always a long week these days.”

And the shower, to wash the stink off, the grace of clean hot water rushing down, white from the soap, heat and steam around the hind of body beneath and the nozzled balloon within. A new bird, bald quarter ounce of chick in a spring hedge nest, aloft in the elbow crook of a woody limb, feeble and hungry. He could go down to the factory again with an open beak, to see about work for tomorrows.

The murk and shadow and stink drained down into the pipes. The prices of negative balances, the absence of scraps of painted papers, and their own vicious purchasing powers, could drain into the septic tank.

After the shower, and goodnights to sleeping Maria, Joe sat in the quiet, picking at microwaved shepards pie in front of the tv on the untorn couch.

The phone was charging in the kitchen, and when he went to get it, new message. Joe blinked.

“All sorted, that prick won’t bother you again. MB”

And another one. Newer. Same number.

“Balance was 3680. Let’s say 3500. SKip this month. Let me know if you need top up.”

Joe was a murmuration of starlings over a bank of winter river reeds.


Donal Kelly, 2018. The original idea from this came from reading an article about political terrorists (not sure if this word is right- loaded terms these) dealing out street justice to criminals, but also, running their own criminal operations. I had also been thinking about how money pressure constricts life down, and how getting out can be so difficult, and how those who cannot pay are condemned to pay fines and fees for not paying.

Posted on

To Hanbury Gardens We Will Go

Mary, Mary, quite contrary,
How does your garden grow?
With silver bells, and cockle shells,
And pretty maids all in a row.

The car pulled up outside the entrance and three siblings stepped out into the hot sunshine. Sharp light glared off the glass door and bleached white the surrounding wall.

There was a woman and two men, one of whom paused at the car door.

“I guess I’ll summon it again for an hour?” he said.

The other man replied. “Or just wait till we’re ready?”

Jay, the man at the car, shrugged, put his phone back in a pocket, and watched the silver vehicle indicate and slide smoothly back out into the line of traffic.

Margo was already leading the way inside, pushing in the hot glass door.

“Come in out of this sun. You’ll cook out here.”

The entrance hall was large and the air cool and conditioned. A tall bright screen stood in the centre, in front of a pair of sturdy doors.

Philip, the second man, prodded the interface and it brightened, beeped lightly, and presented options.

“What do I pick? Ah, “Visit”.

Margo looked over his shoulder.

“Just search for the name. See- there- type it in, Argoss, Jane, yeah, now, yeah, that’s her. Now hit ‘Confirm'”

Philip pressed ‘Confirm’. There was a short pause, then one of the two sturdy doors swung open.

A young woman appeared, wearing a tailored dark suit and carrying a large tablet interface. She smiled in greeting.

“Welcome to Hanbury Healthcare! I’m Julie, Mrs Argoss’s care and lifestyle supervisor. I’m sure she’ll be delighted to see you!”

They stood and exchanged platitudes, pointing out the especially hot sun, and then the care supervisor led the three siblings down a series of clean, brightly lit hallways.

Jay sporadically coughed.

“You should get something for that,” said Margo.

“It’s nothing.”

They reached a corridor where one side was lined with large windows onto an enclosed leafy courtyard.

“Nice.” said Philip.

At the end of this corridor they stopped at an open room doorway on the right marked by number 274 etched in a metal plate. A sleek robotic care assistant (RCA) was just emerging with a smooth electric whirr. They stood aside to let it pass, and vaguely acknowledged its nodding head and beeps.

“Here we are” said the supervisor.

She turned to face the visitors.

“Now, you know, of course, that Jane is one of our older clients, and though she is very healthy she may not be 100% aware of her surroundings. So it’s important not to expect too much or to cause any undue stress.” She smiled. “I know she will really appreciate the visit.”

“Of course” replied Margo. “We understand.”

They were led into the broad bright room, where a big window opened out onto the same lush green garden courtyard.

“Hi Mrs Argoss, how are you today? You have visitors! Your three grandchildren!”

Mrs Argoss was sitting up in a large sophisticated bed. She was very small, had skin that was translucent, and her eyes seemed to focus on a distant point beyond the visitors. But she soon raised her head and smiled and nodded and they all smiled back and hesitated.

“Hi gran” said Margo. “You look so healthy!”

Mrs Argoss smiled and nodded and said “hello, hello” in a faraway voice.

The care assistant smiled and began to retreat out into the corridor.

“I’ll be back shortly; just press the buzzer if you need anything.”

The siblings gathered closer to the bed.

“How are you feeling gran?”

“It’s great to see you.”

“I hope they are treating you well.”

Mrs Argoss smiled and nodded and they strained to hear her little voice.

“Hello, hello,” she said. “I’m good, very good. It’s such a nice day. A lovely day.”

“Yes” said Margo. “It’s still very hot out, but they say it will begin to improve soon.”

“You have a beautiful view here.” said Philip.

“I do, I do, it’s such a nice view. And a nice day”

They stood and chatted, the three siblings asking questions in large tones with open smiles and giving Mrs Argoss ample time and strained ears to respond.

“Do you get to go outside gran?” asked Philip.

“I do! I do” she replied. “They take me out, and I get to see all the plants.” She was staring out the window. Leaves on dense shrubs bobbed in the light swirl of sheltered breeze and threw shifting shadows onto the grass and flowers.

“They used to let me pick herbs and even cook. But I don’t have the energy.” She looked back at the window again. Through the glass. Beyond the garden to some unfocusable plane.

Margo put her hand on the bed close to Mrs Argoss.

“Maybe you can do it again soon gran. Do you have everything you need here?”

“Yes, yes, everything. I have my music in the mornings and I just have to press a button for food, any time, and there are lots of things to do. There’s a button for everything. But Mrs Hart is gone. Where is Bob?”

She seemed to be trying to focus now on the faces of the grandchildren.

Margo looked at Philip, questioning. Philip shrugged.

“Bob?” asked Jay.

“Is he too busy to come? He’s always so busy.”

Philip leaned in front of Jay, smiling.

“Um, sure gran, he’s very busy.”

“I understand. It’s nice here. Look at this lunch menu.”

She turned the bed’s screen on its flexible arm with her thin tightly veined hand to show them a colourful list of dishes.

“Wow; looks great gran. So much choice.” said Philip.

“That’s much better than what I can get!” joked Margo.

Mrs Argoss’s voice was of a wren in a dense hedge at the end of a windy garden.

“and in the evenings they bring me to the hall and there’s music or video and we can talk.”

“Super. It sounds lovely.” said Margo.

“Do you have any pain now?” asked Philip.

“And sometimes the doctor comes himself and talks to me. And the nurse. No. No pain. No pain at all. Just no energy.”

She sat back in her bed. It made an instinctive whirr and readjusted itself to let her sink lower.

“Maybe your energy will come back soon.” said Margo. “It seems like a really good place here.”

The voice of Mrs Argoss faded further into a wisp of whisper.

“It’s much better, much better. Bob would like it.”

The siblings soon sat on the three comfy bedside chairs and looked out the window. With glances and gestures they let the conversation become wordless. They shouldn’t waste her energy. She needed to rest. Her bed was a very recent model. Everything was clean and up to date and comfortable.

After a while, and without sitting up or speaking, Mrs Argoss used a little control to turn on the main television screen screen opposite the bed. An episode of an old show resumed.

“Ohh, that’s an old one.” said Margo.

It was a brand of family drama that had long grown out of fashion. In one strand a young couple were arguing and the woman knew she was pregnant but hadn’t told her partner, and in another strand a businessman was confronting a sudden gambling problem while his son was making friends with the ‘bad crowd’ in his school.

As it finished the care supervisor returned.

“How is everyone doing? Would you like some coffee? Tea?”

“Maybe coffee” said Philip dozily.

“Certainly.”

The supervisor went to the bed and tapped a few buttons on a screen at its base. There was a whirr and the bed changed shape again, putting Mrs Argoss in a flatter sleep position, while the low buzz of an AC unit switched on somewhere.

“How is Mrs Argoss getting on? Is everything going well?”

“Yes yes, all fine” said Philip.

Philip stood up and walked to the supervisor. He carried a small briefcase and held it out.

“I brought some more things, some memories, and I was wondering if they could be added.”

“Oh, certainly, certainly. We appreciate any new content. Mrs Argoss has a very keen mind. She loves to go over photos and video.”

“I brought some books too, paper books, and a few magazines. And some printed photographs. Can you use those?”

“Of course, if the books are in the library we can add them. We can access a huge range of audio books too, with almost any accent. Perhaps we can scan some of the magazines and photos. Everything helps. At Hanbury we tune the experience to each individual. We use the latest algorithms.”

“Of course.”

By the window, Jay mumbled “At a cost”.

Margo glared at him. The care assistant smiled.

“I’ll go find a home for this new content.” she said. Here comes your tea and coffee now.”

An RCA appeared with a tray balanced easily on its main arm. Coffee, milk, sugar, cake. It nodded and beeped as the supervisor passed on her way out with the briefcase.

The three had coffee. Mrs Argoss stirred her frail body, then leaned forward and punched the screen that rose to meet her hand. The RCA left and came back almost immediately with another drink in a little plastic container, which it opened and left on her bed tray. The tray zoomed it up under her chest as the bed tilted to raise her torso and head. She smiled and sipped.

“Are you having coffee too gran?” asked Philip.

“Just tea for me. Just tea.”

“Looks healthy.”

They ate and drank in silence and looked out the window. The tv came on, starting another episode of the drama, then abruptly switched off. The RCA returned and adroitly collected mugs and saucers, then left.

“Is that the same one?” asked Margo.

Jay turned.

“The same what? The same robot?”

“Yeah. I was just wondering, if everyone gets their own.”

“I think they’re all connected. They’re all the same. It’s a network” said Philip. He stood and stretched, looked out the window, and sat down again.

The sun was dropping behind the tops of the buildings and walls that surrounded the tightly enclosed garden. Shadows deepened and darkened playfully across its growth. An elderly man was shuffling slowly from one of the far ends to the other, followed at a short distance by an RCA.

“How does so much grow here?” asked Margo.

After a pause, Philip roused.

“Water from pipes. Some kind of roof for when it gets really hot. Probably artificial lights because it is dark so early. Very expensive.”

“It looks so natural.”

“That’s the idea.”

“Such a lovely place.”

Jay looked unimpressed.

“Optimised to the last millimetre of potential, profit willing.” he muttered.

“Cynic”

“Realist.”

“This is the best place. Look how well she’s looked after.”

“And the most expensive and… protracting”

Philip interrupted.

“Isn’t the doctor supposed to call in?”

As if on cue, the doctor suddenly appeared. Middle aged, with a thoughtful, busy expression, a grey beard, and silver framed glasses, he knocked on the open door and walked in as the siblings stood up.

“Hello. I’m doctor Hazan. I’m Mrs Argoss’s health coordinating consultant. I just wanted to pop in to ask if you had any questions about the care.”

Philip responded first. “Well, she seems fine. How is her general health these days?”

The doctor smiled at Mrs Argoss, who seemed to be asleep.

Well, Mrs Argoss is in excellent health, considering her advanced age and her life experience. One doesn’t get to 119 without bumps and jolts. But she’s still physically strong, and mentally very lucid.”

He looked at Mrs Argoss, then down at a tablet interface he carried, then up again.

“We have her on a very advanced program of activities and diet. Daily exercise, mental stimulation, socialising, and the latest generation of life devices, all based on the best research. Shall I go through the details?”

Philip demurred “No, no, we have a good idea. Is she on a lot of meds?”

“Very little. Almost none in fact; just a general level of mild pain relief and some compounds to help her organs function at their best. I can provide a full list if you’d like?”

“No, no, there’s no need. We just wanted to visit and see how she was getting on.”

“Yes, yes, of course. I’m sure she really appreciates the visit.”

He looked up at Mrs Argoss again, then down at the screen in his hands, then back to the siblings.

“She’s in great form and we’re delighted to have her here at Hanbury. She’s lived a remarkable life, has seen so many changes.”

Margo spoke. “She’s been through so much. She deserves the best of care.”

“Absolutely. Here you can see she has access to full-time assistance, 24 hour. And as you know we take a comprehensive view of health, with a service based on her very own life experiences and history. All tailored to provide enjoyable and active late stage living.”

“Yes, yes. we brought some more content with us today.” said Philip.

“Excellent. It all helps. Our clients really enjoy connecting with their past.”

Mrs Argoss smiled at the doctor.

“Hello doctor.” she said feebly.

The doctor smiled back.

“You have visitors today, isn’t that nice?”

He went to the bed base screen and tapped it. The bed readjusted. The AC turned off. A blind slid down to cover a ray of sunlight that had burst through the window to draw patches of bright in the room.

Then he turned to the siblings again.

“So, would that be it all for now? Of course you can always contact me at any time. Day or night. And Hanbury will immediately let you know if there is any change. And you can all access the full suite of remote services, and schedule a video chat with your grandmother. Or any of her care supervisors.”

“Yes, that’s useful” said Philip.

There was a pause.

“Great, so is there anything else I can help you with?”

“No” said Margo. She smiled. “Unless you can fix the weather.”

The doctor laughed as he straightened up and turned towards the doorway.

“I wish I could! I really do!”

Before he left, Jay spoke up again from the window.

“Just one small thing. She mentioned a Bob. I don’t remember gran knowing a Bob… grandad, her husband, was Frank.”

The doctor stopped, pinching thumb and forefinger to his chin in a thoughtful expression.

Mrs Argoss seemed to be sleeping.

“Bob.” mused the doctor. “I can’t say I know of a connection. Of course, at this later stage, you know, experience of the world can become somewhat fractured, and memory can become, quite entangled with it. In fact some clients connect with memories deep in their past, right back into their childhood, better than the world outside. Mrs Argoss has lived a long and involved life.”

Jay said nothing.

“I don’t think it’s anything” said Margo. “She just got a bit confused when we all came in at once.”

“Well I know she is very happy to have you here.”

The sunlight from outside had all but faded. The entire complex, and beyond it the city, was in the shadow of early dusk. An electric light inside came on, and the window blind rolled itself up.

“Well” sad the doctor. “Excellent. I shall bid you adieu then, and will hopefully see you again very soon. You may need to see the accounts officer on your way out when you leave? Ms Kavish, the care assistant will show you the way. Ah, here she is.”

Ms Kavish, the care supervisor, had appeared at the doorway, smiling, holding the briefcase, emptied.

They nodded to each other as he passed her in the doorway. He almost collided with an RCA that was buzzing down the corridor, then turned and walked in the opposite direction.

“Ok” said Philip. “I guess we should go and review the account.”

Ms Kavish smiled. “Certainly, I can show you the way now, or can come back at any time if you want to wait a while. We will serve supper soon if you would like some.”

“No, no,” said Margo. “we should leave gran in peace now. She seems tired.”

Mrs Argoss seemed to be fully asleep though the TV screen was back on.

They went back over to the bed. The supervisor used the screen to readjust the bed, turn the TV off, and the AC on.

“We’re going to go now gran.”

Mrs Argoss opened her eyes dimly but said nothing.

“You tell us if you need anything ok gran?”

She opened her eyes wider but looked confused.

Then she smiled.

“We’ll see you again soon ok?”

She smiled.

They left with the nurse, back through the halls and veering off into a suite of offices to meet the accounts manager. The policy and contract would need to be reviewed for the upcoming year.

“Will I summon the car now?” asked Jay.

By the time they finished, back in room 274, Mrs Argoss was already having supper. An RCA had brought her chosen fresh dish and the bed had shifted to leave her sitting up to eat it. The TV screen showed a series of seated exercises, and she squeezed her toes in time to the routine.

The door opened and Dr Hazan appeared.

“Hello doc.” she said softly between chews.

“Hello again” said the doctor. “Sorry to bother you so soon already. I just need to check something quick”

He tapped the screen at the bed base. Then he took out his phone, tapped it off the bed base screen, and held it to his ear and looked out the window into the dark patch of garden.

“Hello”

“3”

“Hi, could I get the care supervisor for patient 2874.”

“Ok, I’ll wait.”

Music played. He turned to look at Mrs Argoss and smiled.

“The waiting game” he said.

The music stopped.

“Hi, yes, Dr Hazan. Yes, patient 2874.”

“Room 274”

“No, room 274.”

“I know. That’s why I’m calling.”

“I don’t know” He held the phone down.

“Mrs Argoss?” he said.

“Mrs Argoss?”

There was no reply. She seemed fast asleep. The bed had adjusted down. The doctor went back to his phone

“She’s asleep. We’ll have to order an ID test.”

“Definitely 274. Yes, I’ll wait”.

Music played.There was a long pause. An RCA came into the room and the doctor glared at it. It turned and left.

The music stopped. Phone to ear.

“Yes?”

A long pause.

“Oh.”

He looked at the bed.

“I see. Ok. Thanks.”

The doctor put his phone in his pocket and looked at the deeply sleeping woman for a long time before leaving.

—————————————————————————————————————

Written in long tail of winter, 2018. I've been thinking about OPTIMISATION, and how aspects of human life might be treated in a time of even more pervasive technology, with wealth intact (for some) though perhaps not other things. I imagine wildness in narrow serviced pockets and something lurking below the normalcy, maybe political, or historical, maybe unintentional, maybe technological; something where optimisation and the narratives of life and the consciousness of being clash.

Posted on

Short Story: The Promotion

The Promotion

Interview room 341 is very small and dark, like a segment cut from a corridor. Harry notices the odd ratio of wall to door to window as he automatically moves towards the one empty chair. An inspector sits opposite behind a small desk, staring down at a screen. He’s thin, suited, with short hair starting to grey, and legs crossed with the raised foot absently tapping air.

He doesn’t seem to notice Harry standing there awkwardly. Just swipes and stares. Harry sits. Now the inspector looks up.

“Ah, Mr Thomas?”

“Yes. Yes?”

“Sorry to keep you waiting. It is nice to meet you.”

“Um, yes, it’s nice to meet you, too.”

The inspector smiles, showing his top teeth.

“I hope you got here without any trouble.”

“Yes, it was fine.”

“Well. I’m glad you could make the appointment. We’re very sorry about the delay. You know how things are right now.”

He waits.

“That’s ok.”

“Good, good. I’m sure you understand. It’s beyond our control. And of course doing things properly takes some time.”

He waits again. Smiles. Teeth.

“Yes, I suppose it does.”

“It won’t take long now though. Not long at all. We have gone through your work in detail. Everything in the feed, and everything in the archive. A considerable portfolio.”

He holds the screen up.

“This is your account, right?”

Harry looks at the old feed; its thumbnail images, shared edgy articles, and cringeworthy contributions from an old virtual self. It has been scrolled down to some point in the past, maybe five years ago, or more? There’s a photo of his brother with arms folded, standing outside under trees. Harry remembers it. 35mm Kodak film in a Canon FD camera, on a 50mm lens, just after the house was finished.

“Yes, that looks like my account.”

“Excellent. Yes. It is. We have gone through it in close detail. Thoroughly. Quite a body of work. Substantial.”

He waits. Smiles. Teeth.

“Thanks.”

The inspector turns the screen round. Tap, swipe, tap, tap. He holds it up again.

“And this, this is also yours? From the archive.”

Harry looks. A gallery of much older photos. A red van outside a bungalow on a drumlin hill. A long exposure of waves hitting a dark-rocked coast. A blurred horse running on an island. A boy in woods holding his hand in front of his face. A reflection of a row of white houses in a puddle.

“They are yours?”

“Yes, yes, they’re mine. from before. I haven’t seen them in…”

“Yes, well, here they are. Alive and kicking. Very consistent.”

He puts the screen down on the desk next to a sorry plastic plant.

“Well, we have gone through everything in detail, great detail, and we feel we have a good measure, a very good understanding, of your work. A very broad output indeed. Landscapes mainly, wouldn’t you agree? A degree of escapism? Some Longing? Classic straight composition, with the odd effort, off-piste, as they say.”

Harry’s eyes roll around the very small room.

The inspector waits.

“I guess, I’m drawn to landscape, somewhat.” He shifts in the chair.

“Yes, yes. Landscape is a fine subject. A fine way to spend a day off, out in the open air, recording the conditions, the light, the weather. The change and the unchanging.”

Harry shifts uncomfortably again.

“And of course, some street work here. Black and white in the main. Very, I suppose, un-intrsuive. Unintrsive street scenes, with little eye contact. Some reflections, windows, skies, observations. Perhaps a sense of, disconnect? Certainly a measure of observation and complexity. But a distance nonetheless. Very interesting. The curse of the observer, in the street, of the street, but always feeling outside, perhaps?”

“I suppose.”

Another long pause. Harry looks up at a fan cutting its loop overhead. Snipsnipsnipsnip…

The inspector nods and stares, his finger still flicking across the screen. He angles it so Harry can’t see what he sees. Pale blue light strikes his steady inspector face, and into his steady inspector eyes.

Eventually he puts it down again, and turns to face Harry, folding his hands carefully after thoughtfully brushing dust from the corners of the desk.

“So, this is good. I think we can come to a very clear understanding.”

“I hope so.”

“Certainly. Certainly. You see, your work is excellent, very good, very broad. Curious. Introspective. Persistent. And very consistent. Perhaps trying at times to, er, find a, find a foothold. A voice. What do you think?”

“Well, I guess, I mean, it’s… hard to say. I’ve put a lot of… It’s not really something I’ve…”

“Not to worry. Not to worry. Of course overthinking can disrupt the intuitive quest. Art is an, active form of contemplation, and expression shouldn’t be, pigeon-holed. Never tied down, strictly, fully. In any case, I’m sure it has been a valuable process, very educational. And an interesting, active hobby. We must always strive to see, to see better, no?”

“Sure. Yes.”

“Yes, We have to be, be in the world, and, take it for what it is, with us, in it, in the, flow, exactly. We have to let the world flow by us. Through us. Let it settle, percolate, integrate. Exactly. You have explored and I’m sure have learned a great deal about this human condition of ours.”

He rubs dust off the desk again, and glances at a clock that hangs on the wall behind Harry. Smiles. Teeth.

“Now, I’m glad we agree. You have learned and experienced and explored. A valuable process. You know, people like you are very important, vital even.”

Harry tries to stretch his body out of its slouch. The plastic chair seems designed to push it into a collapsed hunch. The tiny room is warm but he shivers. The daylight that had striped between the narrow grey blinds is gone.

The inspector puts his hands together in another practiced gesture.

“Of course, it is vital too, essential, to help people find their right, role. Their best calling. Vital to all of us. Otherwise, so much, so much potential, goes wasted. A great inefficiency.”

Harry stops fighting the slouch.

“I’m sure you have studied the greats. The giants of the art. Bresson, Capa, Adams. Man Ray. Atget. Aarbus. Koudelka. Steichen. Mann. Strand. Kenna. So many, so many. So true to their art. Art in every direction. We must never forget to study them, learn from them. Try to see as they saw. Don’t you think?”

“I suppose.”

“Yes, of course we do. And at the same time we must also struggle, struggle to find our own path. Sometimes we fall naturally into it, but of course, we can be helped. can we not? We have to embrace our path with integrity.”

“I guess.”

“As sure as we are sitting here. As sure as the sun still rises. We must help each other, for the sake of all of us. Not in a theoretical way. In real ways. Concrete ways. We must keep our purpose clear and our hearts open. Would you say that you are open, Harry?”

Harry lets his eyes float again, from those clean careful hands with close cut nails, to the looping fan, to the grey blinds.

“I, I.. maybe.”

“It is a fact. It is obvious from your work. You are an open, inquisitive individual. With so much to offer. I am sure you can see the opportunity, and that is all it takes, to see it, to see the path ahead.”

The inspector seems to count a preset number of seconds of pause, looking intently at Harry, then thoughtfully at his desk and office and the upturned screen and the clock, as though they have suddenly just appeared and are arranged just right.

“So. Time has no mercy. I am sure you are eager to get moving. It is great to find agreement. I am sure you can have many new experiences, good, great experiences. There is always time” As he speaks he pulls the screen back across with one finger, without looking at it. Then he does look, and it lights up again with the same blue, and he touches and taps.

“Now, here we are. Harry Samuel Thomas. One Seven Six Zero Seven Six Five Nine Two. This is you.”

“That’s me.”

“Of course. Now. Let’s just quickly… (tap tap tap).. and (tap tap tap) ”

He leans over the screen on the desk, but Harry can still see.. another gallery of his photographs. Numbers and dates. His memories. On one side he can see a star rating and underneath it some comments.

Two and a half stars out of five.

The inspector stares for a long moment then tap-tap-taps again.

Now a big button appears saying “Confirm Cleanse”

He looks at the screen.

“No point in looking backwards Harry. We must learn from the masters, pull together, find our optimal path. We must let our lives be our content.”

Harry watches the inspector’s quick fingers tap “Confirm Cleanse”. The screen flashes. A new view: “Confirm content cleanse. All feed content will be removed. Save feed content to archive? Remove all archive material?”

The inspector de-selects “Save feed content to archive”, and selects “Remove all archive material”. He taps “CONFIRM”.

“Identification required. Level Four. Department of Culture and Data Provisioning.”

“Ah, of course.”

He turns the screen to Harry.

“Can you put your thumbs here. Both thumbs? On the circles.”

Harry presses his thumbs onto circles marked L and R.

“Identification confirmed. Processing request.”

A loading bar appears.

“Removing feed content. 3%”

Harry can hear the fan and his own breathing. He tries to remember the places he has been. Fragments. A windswept day out on the coast. Deep grass, hollow-pocked under tripping feet. A windy afternoon and the sun blasting between clouds. Crawling on his belly to the edge and holding the camera over it.

The ocean bellowing below sheer cliffs. Seagulls squealing. The huge mass of the sea stack over the waves. Lines of white froth and bullets of specular glint. Clear horizon and sea sound and sea smell from one edge to the other.

“100%. Source material removed.”

“Removing archive material. 1%”

Or, another time and place, getting out of the subway at night, during winter in a cold city, and turning to look down at steps running back to the station. A man hurrying down, and suddenly jumping the last few steps. Too many to be practical. A flourish, not meant to be seen. Just for the heck of it.

A long time ago now.

“100%. Archive material removed. Procedure complete.”

The inspector smiles broadly and leans forward.

“That is it. That’s great. Nothing to it. Now we can move forward. Onwards and upwards, to new adventures.”

He continues to tap.

“And the requisition unit will call to your home this very day, for the equipment recycle order.”

He turns the screen off.

“Now, good news. We have a great position lined up for you. Perfect. A brand new opening. Right next to your home. A fine promotion. With a highly reputable content subcontractor- Merko Kontent.”

Harry feels far away, and being far away and empty, finds he is now able to meet the inspector’s gaze. It doesn’t waver. It holds his eyes and drinks them in and deletes whatever they are saying, unflinching, unreflective, steady.

“You will be straight into the images department. None of the ground floor work. A proper contract.”

It is easier to look at the blinds, and the lines of darkness where the lines of light had been.

**************************

Office six eight four, floor three, Merko Kontent Building Seven, Department of Content and File Administration. Eight minutes of brisk walking from the outside door of the apartment block.

A lady in a blue suit with a name tag shows Harry to his desk. His name and number are displayed on a large flat display. She points out the bathroom, the coffee and vending machines, and the smaller second screen to the left of the other. On this, a red clock showing “09:00:00”

“Just put your thumbs here.”

Harry puts his two thumbs against the L and R circles on the big display. It immediately lights up. Text appears.

“Assignment 3707124. Content Agent: 176076592. Session: 1186503. Time allocated: 24:28:00. Time accumulated. 00:00:00. Session length: 09:00:00. Press screen to begin.”

There you are”, the lady says. “Just follow the screen. Easy peasy. A basic session to get you started. It automatically stops when you leave your chair.”

She starts to walk away then pauses.

“Oh, and your work will be monitored of course, I mean, especially, for the first few days at least. It’s just protocol. Press the Support button under the clock screen for tech support. But you shouldn’t need it.”

She hurries off. Harry watches her disappear into a maze of separating dividers and then he glances up at the camera overhead. Then at the screen. It waits.

“Press screen to begin.”

He presses the screen.

“Assignment type: Image Allocation. ID 3707124. Session: 1186503”

“Assignment content: Private Feed Images”

“Assignment target cluster segment: Pornography”

“Press screen to continue.”

The only sound is a low background hum, and possibly faraway traffic, and something like flowing water. Overhead pipes?

He presses the screen.

“Instructions overview: Choose Yes if image is of a graphic or pornographic nature. Otherwise choose No. Press screen to continue.”

Harry presses the screen.

The clock on the left suddenly starts counting down.

“8:59:59”

“8:59:58”

On the main display: an image of a windswept sea, probably taken from a boat. Two buttons. YES and NO.

Harry touches NO.

A new image. A truck being unloaded outside a warehouse in the rain.

NO

A group of people in a room, looking at the camera and smiling.

NO

Two young naked women in a kitchen with their hands raised to their faces in ‘owl eyes’ shapes.

YES

***********************************************

When the clock reaches zero, Harry realises he hasn’t eaten, or moved from his station for a full nine hours. The light has stayed exactly the same throughout. The sounds too, bar an odd shuffle of passing feet followed by clunks from a vending machine or whirring from the coffee machine. The big screen is blank. The small one reads “00:00:00”. Now it too fades into black. Harry’s phone vibrates in his pocket. He takes it out. New message.

He takes the stairs down and goes through door, door, gate, to get to the street. It’s dark and not yet busy. An eight minute walk home. He has finished early.

After four minutes, Harry reaches an intersection and stops. His stomach is rumbling. He stands there for two full light changes, watching other workers going home, and cars driving through. He sees lights switch off in the opposite block, and others switch on. He sees a woman walk by with a little girl wearing a dress and eating an ice cream. Instead of going straight on towards the tiny apartment, he turns left, and walks faster.

Eventually, he reaches a bridge and crosses, looking down into the dark river below. Now he is in the old part of the city, where warrens of streets thrown on streets mingle and twist. Old unprofitable shops hang stubbornly onto corners like barnacles.

Harry stops at a dirty lit window with red and black lettering overhead. “Darcy’s. Buy and Sell. Technology specialist. Classic items.” He looks around before pushing the door in.

A bell tinkles. An old man leans over a glass counter at the end of the dark narrow space, working with a little pliers over something disassembled. The centre and sides are lined with shelves and cases. Harry makes a slow line around the outside towards a display of antique cameras. Dented metal SLRs, a couple of worn rangefinders, and a random mix of lenses, bags, and coloured filters. He picks things up, twists knobs, presses shutters.

The old man stops his work and stares.

Harry picks up a small SLR.

“How much for this body and lens?”

The man peers through his thick glasses.

“Mmmmm, that’s not a common model, that one. In good nick too. Serviced it myself. And no digital footprin… mmmmm…. 50 pounds for both.”

“Do you have any film for it?”

“Mmmm, film? I’ll check.”

The keeper disappears into the back, and Harry waits, listening to the sounds of cabinet doors opening and closing and muttered swearing.

The old man returns with a small cardboard box filled with rolls of old film.

“Expired of course. But I had them in the fridge.”

“Fine.”

He picks up a loose roll and holds it up to his face.

“You know, I don’t think you can get these developed anywhere anymore.”

“I know.”

“Oh, well, 3 pounds a roll, as they are.”

Harry picks up and puts down some of the rolls. He looks around the empty shop again then pulls out a battered wallet. Carefully wrapped inside an old receipt are two 50 pound notes.

“Will that do? For the lot?”

“Yep, that’ll do. I’ll find a bag.”

Harry hands him the cash and turns to the door. Back outside, the street is quiet. The streetlights that work throw cones of muddy orange along its narrow curve. Harry fumbles with a roll of the expired film and eventually loads it. He stares at the row of houses, the lights, and the blackness of the sky that they fade into.

He wipes the viewfinder and lens with his sleeve then holds the camera up to his eye. Fragments from the nine hours of “Assignment Section: Pornography” begin to dislodge. He tries to see only what is in the viewfinder.

Click.

THE END

All photos, drawings, and text by Donal Kelly. Please let me know if you liked it. If you hated it, that's ok. I can accept this. But no need to let me know. I find it really hard to get anyone to actually read my efforts, and I can't read it properly myself because it's too familiar. Maybe if I spend a year or two forgetting.

I had an idea to write a story about a committee or judge deciding whether or not to delete an artist's entire life's work. Not that I am such a thing. But, just like that: one click of a button. DELETE.

I was struggling to have much belief in my own work (still am) and this is one of the genre of malevolent fantasies that my mind sometimes spins. A committee made up of the type of commenter from websites, who say "I dunno, I think it's just shit". Once I started, I began to imagine what the world might look like for this to happen, or what else might happen afterwards, or even the room where it might happen. Just a few loose sketches. Hints and allegations.

Then I decided to draw an actual sketch. Of the little interview room. Who knows why. Then I felt I had to add lots more, for closure, and then I lost a whole pile of time. Hours and hours. Gobble gobble gobble. And I still think, it probably, should be, you know, deleted.

Posted on

I am (Poem)

road connemara maam 35mm film

I am

The car jolts and rocks along the track, as though dragged by chains to a chased beast.

I am the beast.

The indistinct greyed-over bogs and swollen rivers coming down the hills whish by the windows

I am the window.

Father is a good driver, but sometimes an angry driver, and now he has eyes only for the road.

I am the road.

The bends are the same as always but the speed has changed them into whipthumping snarls

I am the snarl.

I know that when we return he will shout at them all but they will soak it up like the wind

I am the wind.

I will flow, bicker, bellow, snicker,

Through the eves of your dropping moods
To harass the loose tarp that hides the part that broods
And raise up windcatching seeds to blow
At soft ground where only hard things grow

I know that we will leave again after the shouting and drive more slowly and be swallowed up by the falling skies

I am the sky.
In its endless I fly.

December 2015

Posted on

Very Short Story: The Mistake

rear view mirror

The Mistake (a very short story)

Wasn’t like the daydreams at all. They chased me up Taylor’s street and left down St. Kilda’s Avenue and over the grassy wall into Finny Park where the trees were just beginning to leaf and for a change nobody was walking a dog. I had my heavy work shoes on and had to drop my hipbanging Macbook-holding bag and it was too soon since I ate. In my daydream I would happen to have my sleek running shoes on and would toy with my pursuers, leading them on a merry urban dance, always a step ahead and in control through the winding streets. How could it be captured best? A helicopter view perhaps, a wide angle shot from above, tracking while zooming slowly as it overtakes me, panning, with me always in the frame, and rising thumping music to thicken the drama. Me, the narrow lanes, and the two dark demented chasers. But in the real-life here-and-now what-the-hell-is-happening pursuit I couldn’t quite catch my breath, and my gammy knee buckled in with every stride, and my jeans chafed, and when they caught me they hauled me to the ground and after a good breathless kicking dragged me back onto the street and into an arriving old green Nissan Primera that then sped off.

It wasn’t like the nightmares either. There was too much rushing detail and no time for foreboding and too many clear bouts of sudden pain as I took the punches and my head flapped back and forward. It was hot in the car and I was sandwiched between the two chasers. I tried to yell and managed to swear and shout out “what do you want?” but I was winded and my jaw felt like it had just been borrowed from someone else and I had to speak through a newly brokentoothed gap.

It was hard to tell the two apart. Brothers maybe, with red uneven faces and close eyes and short cropped hair. Left had an old scar over an eyebrow and more stubble. Right had a cotton shirt. Old? Hard to tell. They looked vaguely familiar. The twentysomething woman driving looked familiar too. She kept glancing back in the rear-view as she drove us jerkily north out of the city towards the coast.

“Whaddaywant? Whaddefuck?” I tried, bloodily said, bloodily ignored.

A few blows later, left said something.

“You’re gonna pay!”

Right added.
“The judge can’t protect you now!”

The twentysomething woman looked back. Approvingly. That was nightmarey for sure. Sudden unexpected malevolence, deep disturbing grip. But no waking, no waking, and stabbing pains in my cheeks and chin and abdomen.

“What? What judge? What are ye talking about? Let me go!! Wrong person! Wrong person! Stop the fucking car!”

So it wasn’t quite a nightmare then, or one of the idle stories that could often waft across my brain on a whisper of wind. A “first-rate fantasist,” Divilly had called me once. I was dribbling and it was hard to think and panic surged and I shivered but I was held down and we had left the city and nobody had noticed. Nobody noticed at all, through three sets of lights and a roundabout and along the prom in a line of traffic. I tried to send my focus deep down into the nail of the small toe on my right foot. But we did not evolve the ability to ignore panic and pain. It is too useful. I could only slump under the weight and the blows went away.

A least when we pulled up with a sliding jolt at the end of the dark drive down the tiny grassy road near the sea there was some alignment, some control. As I might have imagined it: I pushed hard against right after they pulled me from the car, then swivelled on my heel to get my arm up with force and my fist into left’s stubbled jaw. His mouth clicked nicely and his head pitched back and my hand burst into pain and I was already expressing my knee with vigour into right’s cottonshirted stomach. Then I was running and over a stone wall and into a lumpy field of Atlantic edging bog.

But but but, the wrong shoes, the wrong pants, overfed on office lunches and submerged in sticky pain, my foot caught the soggy lip of a brown bank and the rest of me followed forward in a collapsing arc, down into the boggy ground where the weight of three crushing bodies soon arrived on my back. Water in my mouth, no air, no air.

“Don’t fucking move” said left, who was now on my right. A kick, or a punch. Nobody around for miles.

“He let you walk.”

“Let’s see how far you get now!”

Right was to my left now, as I pulled myself up enough to gasp air with the bogwater. He had a long lump of wood in his hands. The woman was behind him. Crying. The wooden lump was raised. A seagull patrolled the salty sea breeze above it. I could see the field stretch down and give way to black craggy rock and mutely glinting surf and in the distance the karst cliffs of Clare with the lights of Kinvara beginning to twinkle.

“Wait!” I yelled. “No!!” “This is a mistake!” “Don’t do something stupid! You’ll be locked up for life! You have the wrong person! Check my wallet!” “It’s a mistake!”

“This is for what you did.” he said.

“To Emily” she said.

“For Emily” he said.

I shouldn’t have killed Emily.

*************************Donal Kelly, May 2014

This is based on a recent news story about assailants getting minor community service sentences for being involved in an assault where a man was killed, and a strange experience driving to work one day last month where it seemed that a man in the car behind was being punched by two others. It got mixed up of course in some ideas about a possibly unreliable narrator and the violence of justice and the collision of fantasy and reality and the hills of Clare in their stony western march on the far side of Galway bay in early summer.

Posted on

Very Short Story: Abiogenesis

Tokyo 2011

Dr Malthus and Dr Richards were very excited about something. They leaned over each other to get a better look at the microscope.

The film crew, squashed along the other side of the capsule, paid them no attention. They had already broken through several ceilings of boredom. At first, the jerking motion of the T79ix2 STEP (Spatio-Temporal Exploratory Platform) as it plane-shifted (setting an official new record) then bounced around in the dense unpredictable Archean environments had been novel; intense. Now, the distinguished director Lans Henrig and his two cameramen languished with no clue as to whether they were still circling the thermal vents or bobbing higher up in the toxic clouds.

Kissner, head cameraman for the Reality Infotainment channel, shoved his weight further up against an uncomfortable pile of scientific utensils. There was no light, no doors or windows, all of the external cameras had been broken off, batteries had been severely rationed for use with experiments, the incessant Brownian motion plagued his stomach, and they already had hours and hours of footage of the enthusiastic scientists.

The T79ix2 was designed as a single-use, return trip-disposable vehicle. The passengers were sealed inside with only a tiny supply hatch operated by a cumbersome series of authorization protocols to let anything out or in, until they returned to 2142 where the outer shell could be carved off by a giant laser. There, then, billions of years later, the panel from the temporal consistency review panel would analyse every inch of surface and the petabytes of diagnostic information. Scientists would pore over the data with their supercomputers, and the editing team would struggle to create a dramatic story from the limited footage.

Lans Henrig, whose reputation had been made by the earlier Secrets of Time series of docu-drama shows, and then damaged by the temporal consistency interferences caused by the shooting of season three, had invested much of his personal fortune into the Dawn of Life production. He ran his hands through his greying hair and wondered how they could possibly get something compelling: two weeks of searching had yet to reveal any life. It looked like they had gone back too far, or to the wrong part of the Earth, or were using the wrong gear. The scientists had already seemingly invalidated many of the standard theories and were speculating wildly about alternatives. Dr Malthus defiantly stuck to the theory of a coincidental alignment of the right mixture of, among others, ammonium phosphate, formaldehyde, and ammonium molybdate. Dr Richards was adamant that an organic seed was needed given the conditions; some fragment of self replication to kick off the show.

Since the 2021 disaster in 2139, all chrononauts were supplied with fast-acting mood stabilizers. Kissner, given to unhelpful thoughts about a certain mop of blonde hair being playfully flicked over a shoulder in dappled sunlight, pulled a vial from his belt pouch and swallowed the blue liquid. Right then, Dr. Argins emerged from the supply chamber where she had been confined for over a week.

GCS, General Chrono Sickness, was not yet fully understood in 2142, though some medication had been developed. Its symptoms varied hugely, though Dr. Argins displayed clearly common ones such as pounding headaches and confusion. It affected up to 20% of chrononauts, and was more severe with larger distances. Kissner, sinking into an induced balmy calm, was able to look up and notice and say

“Feeling any better?”

Dr Argins, with her mouth and both eyes half open, seemed to be struggling to focus.

“Worse?” She said.

The capsule shook suddenly and Dr Malthus dropped the sample he had been holding. Lans Henrig, for want of something better to do, aimed his portable camera at Dr. Argins.

“I thought you were not supposed to come out?” he said.

Dr Argins, who had forgotten to take her mood stabilizing pills for the past four days, tried harder to focus.

“Too hot!” she said.

“It can’t be too hot,” said Lars Henrig. “It’s always exactly 20.5 degrees inside the capsule.”

“Too hot!” repeated Dr Argins. She squinted, then pointed back at the supply chamber. “Wet!”

Kissner went to the supply chamber entrance and peering in said, peacefully, “The supply hatch is open.”

The capsule rocked again as it hit a swirling current. Kissner was calmly tipped forwards into the supply chamber. There was a sucking noise followed by some clanking, then several alarms went off at once.

Donal Kelly, February 2014, for the 6th class of the GTI Creative Writing class. The idea with this week's work was to put yourself in a historical event. I had a few different ideas but was forced to pick by Time, and wrote this quickly on the Tuesday of the class (it had been floating in my head for a few days). The idea was for time travellers from the future to go back a few billion years to observe the exact moments when life emerged. Then, of course, they accidentally affect the event itself. I didn't want to worry too much about the logics of time travel, but at the same time, I wanted it to a be an important factor- just one I didn't have to explain exactly.

Posted on

Short Story: Mrs Deacy and The Flood

A bench in Spiddal after a storm

“It’s the wrath of God!” cackled wiry old Mrs Deacy with a smack of her stiff walking stick on the linoleum. “Settle down please, Mrs Deacy,” said Frank McDonagh. “It’s the same spring tide as every year, just coincident with a severe low pressure weather system.” Mrs Deacy persisted. “It’s the Good Lord’s way of showing us our moral corruption and lazy decrepitude.” “Settle down, Mrs Deacy” pleaded Frank McDonagh again. Rush Levins piped up. “Global warming, sure the Earth is fecked”. “Headlong to an amoral hell” said Mrs Deacy. Rush Levins was getting excited too. “The rest of them will get roasted and we’ll just get more water, more wind, and more winter!” There’d be no stopping them now. The hasty call for volunteers to survey the flood damage could go on for hours, at least until Seamus Kerins would inevitably lose his righteous temper and shake them into submission with the furrowing of his fiery eyebrows. I looked across at Tom and gestured my head towards the back door of the island’s tiny primary school. He nodded. Leaving the theorists to their rival interpretations, we each sidled carefully out of our seats, kept our heads down, held our breaths, and edged across the classroom. “Hey! Ye’re to blame!” cackled old Mrs Deacy after us from back in the classroom as we gingerly opened the door, which was eagerly caught by the blowing gale and slammed squarely back into the frame behind us as we fled across the yard. There was a dawn of untold damage to explore.

Down on the beach, the beach was no longer. Most of the sand had been hauled off, surely to somewhere warmer and more deserving and flecked with bronze bikinied girls on sunbeds reading modern novels. It had been replaced with a wild mess of greybluegreen stones and layers of dishevelled yellowbrown wrack. The small dunes that had for all our summers run up to the grass under the fences on the banks were missing, presumed dead, gobbled up by the hungry waves. “The worst flooding since 1949,” the newspaper had said. “Class!” was what Tom said, and we appended further impressed exclamations as we zigzagged up and down the blitzed shore towards Roche’s point with the wind and surfsound in our ears. “Mad!… Nuts!… Unreal!… Deadly!… Insano!” Sections of the beach road had been ripped up. The steel rails at the end of the road were torn from their bases. The benches past the car park were buckled. Cullitys’ field was filled from wall to broken wall with a pool of orphaned seawater. What power! What fury! The two empty holiday homes close to the point had been properly vandalized by the ferocious surge, despite the sandbags piled up against the doors: much worse than even our most ambitious graffiti.

As the storm damage investigation committee from the school finally began to gather behind us along the remains of the beach, we hopped out closer to where the tide had recently retreated. Big rollers still crashed out beyond the point: there would be another high tide again in the evening. Tom spotted the strange shape first, and darted off towards it. It looked like a giant lumpy football encased in a hundred years worth of winkles and seaweed. “What is it?” I gasped as I caught up with him. “Must be treasure!” he gushed. “From one of them Spanish ships that sank hundreds of years ago!” “Maybe gold!” We began to rip the seaweed away and hack at the barnacles. They were stubborn: Tom picked up a rock to belt them with. “Hey! Hey!” Old Mrs Deacy was advancing across the rocks, waving her stick. “Get away from that ye devils! Get back! That’s a symbol of God’s wrath for agents of immorality like ye!” We retreated the other way. “Leave us alone you old bag!” shouted Tom back at her. “We found it first!” I yelled. Old Mrs Deacy reached our treasure and swung her stick at it as she straightened up to issue another croaking judgement. With a magnificent mid-sentence pop, she exploded into an enthralling billow of sand, seaweed, crinkly flesh, and jellyfish.

Donal Kelly, February 2014

Week Four of the Creative Writing Class, with the homework being to write a short piece beginning with dialogue in a crowd. I wanted to include something from the flooding that has beset Ireland lately and had a sudden image of a group in a school on an island having a madcap meeting about what should be done. Then I figured the sea would wash something up, maybe treasure, or something mysterious, or alien, or from the future, or from a science fiction novel. Mrs Deacy was originally supposed to just be in the meeting but she has a set on the two young fellas, and followed them on the beach. She saved their lives- an act of heroic sacrifice! It could be a lot longer but I wanted to fit it on a single page when printing- challenge being to include the whole story within that limit.

Posted on

Short Story: Patients

After washing my hands with warm water I squirt disinfectant gel on them from the plastic dispenser that hangs on the wall, and stand looking in the mirror while I rub them dry. Looking older? Surely, but it’s so hard to notice, day by day changes, cell by dying cell. Show me a photograph of me from ten years ago and I will jolt with recognition and sadness. Older we go into the unknown, over and older again.

There’s a lot of that here. A mighty sum of accumulated years. I wonder what the average age of the patients is, as I push the bathroom door open with my foot, proud of not touching the handles. My elbows open doors; my feet lift unknown toilet lids.

Simon is sitting where he had been, in the thick green chair next to the bed. He looks noticeably older too. His face is paler; I guess this place adds a few years. He is holding the clipboard that had been hanging at the end of the metal-framed bed, and he is looking at the rise and fall of the numbers on the colour-coded chart.

The old lady in the bed to the right looks up and smiles through her spacious glasses. She is still working on the word-search puzzle. she’s up to page seventy-five now, though she told me she skipped sections when she got bored of them. Earlier I watched her draw surprisingly neat faces on the inside of the cover of the puzzle book then scratch them out. Rosie, the nurses call her, and they all seem to know her name: a friendly name for a friendly face. She talked to me about the kids that sometimes trespass onto her back garden in Athenry to get to the river bank and follow it through the town. She’s like a gentle river herself when she starts chatting, flowing from one topic to the next with an easy but constant rhythm: her son, her neighbours, the tea, the weather, and the changes.

Simon looks worried. I want to tell him that his worrying creases are becoming part of his default face, but it’s the wrong time. He doesn’t appreciate those comments. I don’t believe in Botox but sometimes I try to make my face fully expressionless, even if only for a few minutes. Anyway, I know what he will say. “I have a lot on my plate these days.” I know him well enough to predict full sentences, so they often go unsaid, though I still find it hard to sit still through the longer silences, and my mind keeps proposing phrases or sighs or meaningful long breaths to punctuate the gaps. “Ah well,” I will say, then maybe “It could be worse,” and perhaps I will make the effort of envisioning a potbellied child with flies around its head in a sweltering bone-ash dry desert a thousand miles from a welcoming door, even though I know I shouldn’t do that as it makes me feel too remote. In any case I will invariably fade away with “what can you do?” or “hard to know” or “I dunno”. “I don’t know… don’t know… know… no.” My utterances tend to taper into pregnant pauses that stretch out and taper, maybe like the universe expanding and losing its will to move.

A doctor strides by with stethoscope hanging from his neck. I’ve always been jealous of people who exude calm and stability, whose words seem to be infused with extra gravity, and whose conversation seems loaded with ballast. Even when completely wrong, theirs seems to be the path to follow. I tell Simon that people like this live in action, and not ideas, and that the consistency of their course matters less than what they are currently setting out to believe. Or at least I try to convey the idea, between all of the ahs and ams and inhaling: it’s a wonder we can even speak at all.
Simon smiles and the young worry-lines are redrawn into friendlier folds for a moment. Then he coughs a few times and they come back. He wants to know why the blood pressure is so low, and why the zigzag heart rate measures look like they were scribbled in by a shivering kid.

There’s a TV strung up on the wall behind me. I’m sitting at the outside end of the bed facing Rosie. Simon is watching it, but I can’t see it without straining my neck or moving. I watch his eyes dart up every few moments and force mine not to follow. I scan instead from him to Rosie sitting on her bed bent over her word-search with her feet dangling above the floor, and her thick ankles remind me of my late granny’s thick ankles and I wonder what gathers in them. Words well up: fluid collecting, pus draining, karma coagulating. black bile, yellow bile, phlegm, blood: The four humours sloshing around her swollen feet.

I scan back to Simon. We talk about the empty beds opposite. The Goth teenage girl had been moved from the one on the right to the one on the left because the one on the left is further from the exit. She arrived during the night and by morning there was a group of quiet worried adults holding a hushed vigil around the bed where she was squirming. “You know 20 paracetamol are not for your health?” That’s what Simon said he thought he heard the doctor say while the curtains were fully drawn around the bed. The Goth girl went to the bathroom later and came back bawling crying, then later again she tried to run away, twice, and then they moved her to the other bed and now she is gone altogether. Maybe she just wanted to skip across to SuperMacs? I was there yesterday with Simon, and he just sat and watched me scoff curry chips. I ordered a coke but the guy thought I said coleslaw. He was foreign but I joked about my thick country accent. Easier that way. Imagine if I went over now and the Goth girl was there, standing in the queue, looking up in the harsh white light at the red and brown and golden menus of fats soaked in burgers or chips or chicken nuggets. What would I say to her? What could I say? What could any of them say?

An alarm goes off in the next room. We listen to a rush of feet and voices, then it settles down again, and dinners are wheeled around. Simon looks unimpressed with the chicken and vegetables. “Food’s food!” I exclaim. “It’s ok for you, you can eat anything!” he replies. Visiting is supposed to stop during dinner but nobody says a word. I guess they enforce regulations when they need to, like the guards do with people drinking down by the Spanish Arch. I ask Simon what would happen if everyone tried to enforce every rule and regulation, I mean , really tried. He just shrugs. He’s looking at the pills in the little plastic cup now. He tries to learn their names and look them up on the Internet and worry about them being the wrong ones or about their possible side effects. They all seem to have a pile of side effects, like the same person is writing all of the lists, and wants to cover their ass just in case. I advise that given the situation it is best to gobble pills down without adding the worry of extra knowledge.

The same doctor hurries past in the opposite direction. When I walk down a corridor wearing my thick jacket I imagine myself as a doctor too, resourceful and knowledgeable, being tailed by a gaggle of eager but quiet student doctors, all respectfully admiring my every move. “Constricted left vastricular nerve” I will point out. “Notice the slight indentations above the hibea and the asymmetrical apsis glands? Now, look at the scan again… Gerry what do you think? No Gerry, the lymph node is normal, see? Alice? Good, but notice that the heart rate is elevated. Do a second liver biopsy and you look tired… Huh?” “I just said you look tired,” said Simon. I snap out of the daydream a little disappointedly. Can it still be called a daydream at night? Why not a wakedream instead? “You look tired too,” I say. “From all the hard work.” Simon grins, and I grin back. “It could be worse” I say. “I could use a holiday.” “Me too!” “You could always run away” I add, then we both look over at the bed where the Goth girl had been. They won’t be empty for long. Simon stands up and stretches. “It’s hard to feel healthy in here,” he says. “What’s the opposite to… what do you call it? A placebo?”

The evening has trickled by and we’ve hardly been saying a word. We walk down through and out of St Enda’s ward. The main entrance is closed now so we have to head on up to the A & E entrance. It’s a normal weekday night there. A drunken old man is sleeping across four seats and nobody is asking him to move. A worried couple soothe their child. They stare at the double doors and the blue door next to them with the letterbox. When you come in you fill in the forms and they go in the letterbox in the blue door. The triage nurses prioritize them and you wait until yours gets to the top. When a space is free inside someone will open the blue door and read out a name. While we are there a nurse opens the door and calls out “Samantha Reilly… Samantha Reilly?” I imagine Samantha Reilly sprinting down University road towards the Cathedral, convinced she has been cured, and then wonder if she could be in SuperMacs. But she would be too sick to run: she will have to come back. After the doctor sees you you will probably have to wait again, wait wait wait. A friend of mine reckons that some people exaggerate their symptoms to get to the top. A perfectly rational idea, though I doubt I would have the will to do it: I have a distended superego. I read somewhere that the most bang-for-your-buck easily fakeable symptom is (drum roll) shortness of breath. Wheeze when signing in, pant and pause to catch your breath. Quicker service. Might get a trolley, maybe an oscar.

I squirt some more disinfectant gel on my hands. In the olden days doctors would go from one bloody patient to the next with hardly a wipe of a blade, carrying along whole ecosystems of germs along with them, oblivious. Now they have all these gloves and sterilizers and disinfectant gel dispensers with helpful guides and a huge industry of drug-makers, and play a game of evolutionary chicken with strains of bacteria by filling everyone with antibiotics. “Forget about it!” Simon says. I tell him I’m not interested in conspiracies, but that I am very interested in systems and symptoms and simple incentives. “As a general rule, people, even the wicked, are much more naive and simple-hearted than we suppose. And we ourselves are too” I wish I could remember that quote: I wrote in my notebook. I can’t even spell Fyodor Dostoyevsky’s name without looking it up every time.

We are standing in the exit; close enough to the automatic doors to keep triggering them open and sending draughts of cold December wind in. Someone is probably cursing us from the waiting room. An ambulance pulls up and a man on a stretcher is pushed past with blood on his forehead. A thin woman in a nightgown asks us for a rollie. “We don’t smoke” is all I can say. It is time to leave; we are both almost asleep. I tell Simon that he shouldn’t stay so late and to take care on the drive home and then I head back down towards the ward, allowing myself to be a vigilant passing doctor again, peering into dark rooms lit only by TVs and machine lights to notice the numbers on the little screens and the restless figures curled up in their beds.

Donal Kelly, December 2013.

This is a case of Fragment:consider revising: I guess I will remove or rewrite this comment if I tinker the piece till it finds some better equilibrium. I should go back and hone existing stuff instead of oncemoreing into the breach and filling the world with new fodder. It has fodder enough, fodder aplenty, but the restless seeds must grow as they please. This story is based on some hospital visits: it's a strange place, a world unto itself, with so many personal dramas unfolding all the time. It got me thinking about what it means to be sick and how it can seem so similar to being healthy most of the time. I wanted to create a scene where it is very unclear who is the patient and who is the visitor. I have probably only succeeded in being unclear.

All rights reserved. Do not copy or use without permission.

Posted on

Short Story: Dossers

Baurisheen at dusk

When the branch of the beech tree broke Morris fell down in a heap next to the trunk. He lay there and stared at the sky. “Stupid branch!” he cursed upwards. The tree was unmoved, its leaves shivering in the early autumn afternoon. Morris struck its mottled trunk with a lunging kick. The rugged bark ignored his blow, and the unmoved tree carried on soaking up light, sucking up water, holding up its heavy old girth, and growing fantastically slowly into the azure.

Pasty-faced Dillon appeared above, his dishevelled mop of blond hair blocking the sun. “What happened to you?” “Nothing…” Morris shrugged, hopping up and hurling the broken branch as far as he could into the lake. “You cut your elbow.” “It’s fine. It’s nothing.” Morris rubbed the small smear of blood along his wrist as the two of them ran in fits and bursts up the path back to the house.

They raced each other to the pool room; Morris was first, as usual. The pool room was a converted shed with small square windows, attached to the end of the squat white bungalow, which in turn was perched right at the tip of a narrow peninsula, with water close by on three sides and the torn-up road leading from the other back towards the village.

Morris grabbed a cue and launched it at Dillon while picking out another. They set up the balls, tossed a coin to see who would break, rubbed the tips with a cube of chalk, and for half an hour focused on the crack of ball on ball, the selection of angles, and the gradual potting of solids and stripes. After arguments about rules and the eventual clearing of the table, winner and loser were defined and a new game began.

Halfway through the third game Morris and Dillon abandoned it, and instead brandished their cues as swords, and swung and hacked and parried their way in tangled swoops around the cluttered room, trying to belt each other clean on the arm or leg or back, until Morris broke his cue off the wall, and Dillon fired the white and black balls straight through panes of a window onto the lawn, and they both tipped over the tall bookshelf onto the desk and then legged it out across the grass.

“Who owns that house anyhow?” asked Dillon. “Some old foreign couple. They’re never here. My dad says they’re selling it.” “I’ll buy it! Twenty euro for the lot! I’m sick of home!” “Me, too.”

The bikes were where they had been abandoned in the rushes. The afternoon was moving on and swallows that would soon be going south were arcing over the lake after insects in broad mobile circles punctuated by flicks and spurts and fluid rolls. Morris and Dillon pedalled along the narrow briar-edged road, weaving back and over across the strip of thick grass growing in the centre, almost colliding, cycling with no hands, ploughing into the pot holes, using their shoes as brakes, until they skidded to a stop outside the McLoughlin house.

There was no car outside or sign of life in the windows. Morris looked at his watch. “Bet there’s nobody here.” Dillon was looking up at the tall conifer trees that ringed the garden. “I think there’s a shed out the back,” he said. “O’ Grady cuts the grass here on Saturdays.” They dropped the bikes behind low furze bushes, clambered over the wall and skirted round the house in the shadows of the pines.

The lock on the wooden door was old and rusted and gave away easily to blows from the heaviest rock that Dillon could lift. An acrid smell of petrol fumes soon filled the small shed as they tilted the lawnmower onto its side with the fuel cap open. They found two red life jackets and inflated them after putting them on, roaring with laughter while tipping a tin of thick green paint into the fuel tank. Morris wanted to use his lighter to ignite the mixture but Dillon gave him one of the cigarettes he had loose in his pocket and they puffed and coughed in the paint and petrol fumes with the emergency lights on the swollen life jackets flashing on and off. When they heard a car in the distance they took off again, scrambling back out over the wall and onto the bikes and sprinting down the shore road.

Dillon had taken some screwdrivers and a heavy vice-grip, and they stopped whenever they could to unscrew or dismantle things. They took down one signpost completely and twisted others in wrong directions. “Glann Road” now pointed up a cul-de-sac boreen, and “Lake view B&B” aimed straight into the hedge. They hid when they heard cars and opened gates into the small fields that lined the road. In one of them a dozen or more cows were quietly chewing. With the gate wide open they were easily provoked by energetic shooing; out onto the road, trotting awkwardly on their loud hooves in a confused herd. “Stupid cows!” yelled Morris. “Go on ye good things ye!”

The farmer must have spotted them from the hill that ran up behind the field, since that was where he came running from in his green wellingtons, swearing at the top of his voice and waving a stick above his head. Morris couldn’t help but grin with glee, as happy as he could remember ever being, pedalling and freewheeling down the leafy narrow road on a long bright evening under low dappled sunlight being chased by the angry cursing farmer and his two dappled barking dogs, and swerving between the dozen stupid dappled cows that were now clattering clumsily in all directions. Dillon, close behind, was tossing away tools and trying to get the flashing life jacket off over his head while pedalling furiously. For five minutes or more they tore along breathless towards the lake again, until they pulled up panting and laughing beside an outcrop of old concrete piers.

There were boats tied to the piers and more pulled up onto the shore. The two of them leaned against one until their breathing began to slow back down. Dillon launched the last of the screwdrivers into the jetty. Morris followed it with stones, then larger rocks. They made bigger and bigger splashes in the shallow water until they were half soaked. Morris untied a few of the boats and tried to get them to float away, but the small waves pushed by the light east wind sent them back to bump and nudge the piers and turn sideways and scrape against the rocks. One of them had a dented old Yamaha 15 outboard engine mounted on the stern. There was no petrol tank in the boat but there was one hidden behind floorboards leaning against an alder tree. When Dillon found it Morris dragged it down and hauled it into the boat and set about pulling the cord to start the engine and soon they were thumping through the waves with the choke out and the throttle wide open and the whole lake opening up ahead of them.

The shore shrank away. Dillon lay flat on the wooden decking at the very bow of the fibreglass-hulled boat, letting his hand hang down until it caught the speeding water and split it with a foamy crease that dragged his fingers back. Morris swerved the boat abruptly into the wind and Dillon almost fell out, his arm catching a wave on the full and a sharp slap of cold water jolting up into his face. “Quit it!” he yelled as he scrambled for grip, but it was lost in the engine’s hoarse rumble. Morris threw the boat left and right, easing off then accelerating again with noisy jolts, his yells joining the engine-pitch as they sped erratically across the deep open bay out towards the islands.

* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *

Morris and Dillon looked back at the distant houses from the short stony shore that ran around the outside of the densely-wooded island. There were swooping swallows here, too, and a motley medley of other small birds flitting among the branches, and telltale swirls of rising trout puncturing the calm shallows along the sheltered side. The boys threw stones until a group of idling ducks triggered suddenly into scattering flight. Morris stood with a stone in his open palm and watched them whirl overhead. “They’ll really kill us now.” “Yeah, but it doesn’t matter, does it? We were gonna get shafted anyhow.” “Yeah, but… it was all Fitzy’s fault.” “They’ll go nuts when they find out. Maybe they know already.” “Screw it! It’s pointless anyways.” “He was asking for it!” “He’s a moron!” “They’re all a shower of gobshites!” “They think they know everything!”

Dillon pulled more loose cigarettes from his pocket, but they were soaked. He let them fall. “Yeah, we’re really dead this time.” “Can’t go back!” “What will they do?” “Dunno. Your aul fella will throttle me if he catches me.” Morris made glum joke choking sounds. “He’ll do worse to me!” “Why are they always telling us what to do?”

They left the water and wandered into the wood, where their conversation faded among the quiet damp branches and trunks. Further in, past rings of stones that once bounded fires lit by cold fishermen, there were no more signs of people, and the light became dimmer and moody. The island seemed much bigger from the inside: dense and deep. There were no birds and the earthy air was cool and heavy. Aimlessly the two unspeaking teenagers pushed their way into a clearing. There were two men in the clearing. Morris and Dillon froze. It was too late, for one of the men had noticed, and looked up, and gave them a bewildering half-smile. “Well?,” he said.

He had a stubby beard and long unkempt hair and stood askance against a fallen tree. “Well?” The teenagers didn’t budge. They looked at each other and warily back at the strangers, muscles tensed to flee. The ground was strewn with empty beer cans, wrappers, upturned wooden crates and boxes, cloths and papers. “What took ye?”

His companion, shorter and heavier, was sitting on the horizontal trunk swinging his legs. “Messing, I presume,” he said in a high pitched voice. “Stealing Trevelyn’s corn?”

“Who?” asked Dillon. “Who are you?” “Who, indeed?” replied the man. “Which one are you? Dillon or Morris.” “Dillon, of course!” said the bearded man. “Don’t you remember?” “How… how do you know who I am?” asked Dillon incredulously. The two boys were edging backwards. “How does anybody know anybody?” asked the shorter man. “We have a good view from out here.” “But it has been too long,” said the bearded man. “It’s hard to stay in touch.” Morris had retreated into a dark shadow. The bearded man looked worried and lifted his hands. “Don’t go lads, wait here a second,” he entreated. “There’s nothing here to plunder or pillage! Just a grand view! A grand wide view. Anyway, we’ve been waiting for ages…”

“Waiting for what?” asked Morris from the shadows. “For you, waiting for you.” The bearded man looked unsure. “We’re supposed to tell you something. Or show you something. Well, I think the errors of your ways or something,” he said. “But we’ve been waiting for a long time; it’s hard to know now: hard to remember the errors from the… from the other stuff. You know every message has a best before date?”

“Message, what message?” butted in the shorter heavier man. He pushed himself clumsily off the trunk and wiped his hands off his dirty jeans. “Anyway, they’re still only kids.” “True,” said the bearded man. “Just kids. They know not what they do. But… taking a path all the same, going a certain way. Break all before them but unbroken themselves. Not for long now! Finding boundaries by smashing through them will leave you stranded sooner or later! You can only live outside the rules if you don’t break the ones that count… and it’s getting late now, or it’s already too late. What ye did to Fitzy, what we did, that was a big line crossed.”

“How do you know about that?” asked Morris, barely his eyes visible. The bearded man stepped forward and looked intently and indirectly into the patch of shade. His voice became low and slow and forceful. “The world doesn’t care, Morris. The world doesn’t give a shit. Why would it? But you have to care to make it… to make it real. You can run from being a man, but that just makes you a running man, see? One way or another you are just a part of the messy whole. The end is in the beginning, the beginning in the end. There’s still time to turn it around I suppose but…” He stopped and turned to look back, shoulders tense, his voice evaporating into a sigh.

“Does that make sense?” he asked. “I guess,” answered the short man. “It’s hard to say. Man the measure of all things; nothing good or bad but thinking makes it so, and so on and so forth. We’ve had enough time to think about it.” The bearded man nodded. “Gets muddy,” he said, “, when you’re out here waiting. I thought I had it off by heart.” “But we have to say something, “ replied the other. “Should remember something. There was definitely a message. We had a message, no?” The bearded man shrugged. “We’re disconnected now. Maybe they forgot about us. No good to them. Why were we left here so long? What was the point?” “Because we were dossers,” said the short man. “They stopped bothering to ask if we were still around. They measure once and keep cutting forever.” They stopped to face the boys again. Morris and Dillon were gone.

They sprinted back the way they had come through the undergrowth. They could hear the bearded guy yelling after them. “Where are ye going, lads? What about Fitzy?” The other guy too. “Don’t leave it till it’s too fucking late! Get us out of here!”

“What about Fitzy?” he asked again loudly when they walked onto the shore. Dillon and Morris were standing waist deep in the cold water trying to reach the boat with a long branch, but the boat was floating slowly away. “Ye didn’t pull it up. Of course ye didn’t.” The lingering warmth of the evening had ebbed away. Flies hummed in the air as twilight enveloped the water and washed purples and blues into the soft sky. “I think ye have to stop breaking things! Ye’re untied, unscrewed, unmoored, the two of ye!” Morris spun in the water and roared. “Who the hell are you? What do you want? Leave us alone!”

The men said nothing until the boys eventually gave up on the boat, and they all watched it float away, bobbing on the small quick waves. The boys came back onto the shore, shivering and moody. The bearded man was apologetic. “Well, it could be worse.” “Who are you?” asked Morris again. “Well, it’s tough to say exactly,” replied the shorter man. “We think we might be possible future selves of you two, but we’re not sure. We’ve been here a long time and it’s hard to remember exactly.” The bearded man absent-mindedly kicked a stone. “We think what happened with Fitzy was too far,” he said, “if my memory is right”. “And we think we have some, you know, advice: advice from your possible future selves, to set ye straight, maybe.” He kicked another stone and looked down at his foot. “We think we should tell you that you have to give a damn to get any of the good stuff. You two are on the edge between feckless boy and guilty man, and once you go over the edge you can’t go back. It’s hard to change tack after a while. We think ye are making shite life choices, and they’re ones ye’ll have to live with.” He paused then started speaking again. “Might be too late. It was supposed to happen sooner, I think. I guess ye might not grow ears till it’s too late to listen. It all goes round in circles anyway.”

Nobody said anything for a while. They looked at the lights of the houses on the far shore blinking on in the growing gloom. “How will we get back now?” asked Dillon. “We don’t belong there anyway!” snapped Morris. “Well, ye don’t belong here,” said the shorter man. “You have to work to belong, wherever. You have to let them in, and you can’t belong without letting them in. ‘No man is an island, entire of itself’, as the poem goes.” “No? We can go where we like!” said Dillon. “Hah! With only yourselves to bring, where can you really go?” The bearded man butted in. “But how can we open yer eyes? Look at what they see: two feckless idle dossers who wreak the place and think they have it all figured out! Two hooligans on the path to a cautionary tale for the next crop! Are we free, stuck out here? Is this where you want to be, waiting for God knows what for God knows how long until you forget what you were waiting for in the first place?”

He glanced back at the trees and sighed. Ah… well, what would we know? I wish someone could have talked some sense into us before we…” His voice trailed off again. “We were just having fun,” said Morris. “Why the hell should everyone tell us what to do anyway? All they have are stupid rules. They’re too afraid… they didn’t even invent them, just learned them all off. Why should we care?”

It was almost dark. The bearded man began to walk away from the water. “Come on, let’s go. I think we can leave.” His companion straightened up. “Yeah? How do you know?” “Gut feeling. I’m wondering, maybe we were waiting for them to remind us… about something. Maybe we had it mixed up; maybe they came here to tell us… to show us… that we were just dossers… no different from the rest of them…” The short man started to walk away as well. “Maybe there’s no lesson, and this is just another random experience, the devil and his dog in the detail passing by. Never the same river twice. Maybe we can just clear out and they won’t notice.”

“Maybe.”

The taller man scratched his beard and looked at the two boys. “It’ll get cold but ye’ll be ok. Someone will come sooner or later. Ye just have to wait. Waiting is not that bad… though it’s bad enough. It gets cold. Try to remember… the world owes you less than you think… owes you nothing really. But there are things, that can be worked on… that can be valuable. I guess it’ll take time. Maybe it’s different now, after Fitzy, maybe too late, maybe not up to you or us to decide.” He was almost in the trees.”

They disappeared. Dillon and Morris stood shivering for a long time where they were, as moonless blackness sealed the canopy from end to end, broken only by the lights of distant houses and the ultra-distant stars. The odd unwinking planet. The story of their latest crimes would be moving like a rainshower through the village, their absence would be manned by a hostile welcome party armed with threats and promises. It would be a cold night. A dog was barking somewhere in the dark.

Short story by Donal Kelly
Written in November 2013

This took a while to write, and I have no idea if it is actually finished. I started with the idea of two teenage boys on a rampage of divilment through a rural village, only to meet scary future visions of themselves carrying warnings about their life-paths. But what emerged when I tried to write it down were two very unsure possible future selves with an unclear message, stuck in confusion about what they were supposed to be doing. It seemed inevitable that the cliche of message-wielding future selves would be undermined, and it made weird sense that the two older men had been waiting too long to remember their message properly, if it ever existed in the first place. Maybe the whole episode is in doubt then? Hard to know. I spent a fair bit of time trying to, at the very least, iron out the small mistakes, and I got caught up with the dialogue in the second section. It’s my longest effort in a long time though, so it can serve as a better beginning to the onward-and-upwards of today. I love the idea of capturing little snippets of nature in flowing sentences and interspersing them into a human story to give it a real sense of place and time, but… I can only work on the assumption of failure.

Posted on

Short Story: Signing On

Coffee in Eyre Square

Burgundy. Cabernet Sauvignon. Merlot. White, red, rosa, bubbly. Brian bought 500 grams of dry fusilli pasta in Dunness Stores before going to the Dole Office to sign on. He should have gone earlier; it was overflowing when he got to the doors. Now he was back outside looking at a display of wines through a pane of clean glass that reflected all the way back up St. Augustine street. He shouldn’t have paused. So long as you are moving you exude a sense of destination and purpose.

Brian had already checked his watch seven times and his phone twelve. There were no beeps or alarms or missed calls. But when he stopped for more than a few seconds he couldn’t help but go through the motions. So long as he didn’t stare into space it was possible he still might have a place to urgently go or a vital message to check or need a second to choose how to portion his precious time among many worthy options.

Between left index finger and left thumb he had clamped the queue ticket. The machine in the dole office had rolled it out with a whine once he figured out which of the three buttons to press. All of the seats were taken so he had searched for a clear stretch of wall or pillar to lean against. From the pillar he had listened to the numbers being called out by the officious recorded voice and watched the glacial progress of the dense crowd: a young mother trying to pacify three restless children; two young guys with moody lowered heads in hoods; a middle-aged man with a faded corduroy jacket; a girl with headphones and plimsolls at the ends of skinny jeans looking out of the windows. In the dim light the dense group waited and listened and kept a low-key order.

“Ticket number one hundred and twenty-four to counter number nine”

A heavyset man raised himself with effort and pulled his shopping bag from the floor, leaving a vacant seat. Brian stood close by but didn’t budge. He looked at his ticket and then at his watch. Two hundred and sixty-eight. Eleven thirty-four. He really should have gone earlier; lined up outside before the opening of the doors. He really should have a job and be at work, busy turning some little wheel of the ocean of little wheels that keep the whole show on the road. Now the simplest things were hard to justify. Why is the taste of food affected by the slightest weight of mood? Brian tried to remember Bertrand Russell’s unromantic view of work from a half-forgotten lecture:

What is work? Work is of two kinds: first, altering the position of matter at or near the earth’s surface relative to other matter; second, telling other people to do so.

Stepping back out in the sunshine was startling. The narrow streets seemed impatient for his feet. They slipped along of their own accord, cobbled treadmills. A light salty breeze blew in from the sea, whose tides lapped out of sight behind the apartment buildings along Merchant’s road and the docks. Morning was done, day was winding out and on. If it wasn’t for those pauses he might have been on his way somewhere important. But he was still in the queue, waiting to sign on, number clutched in his pocketed hand. Eventually he let it drop into the small collection of loose change and receipts for pasta and tea and a lifestyle magazine.

There was time for food but Brian walked up one street and down the next on an empty stomach until he couldn’t avoid retracing steps. He glanced at window displays and their reflections, peered into their wares, followed the gaits and graces of passersby, caught snippets of their conversations, noticed their bags and brands and faces and walking paces.

Eventually, like a spun coin he came to rest, at an outside table of a cafe at the corner of Eyre Square, where flags of the fourteen tribes of Galway ruffled over the edge of the park. A horse and carriage stood waiting opposite the tourist kiosk. The horse had its head wedged deep into a nose bag and chomped. A rich medley of accents flowed up and down towards Shop Street: thick Connemara Irish, high-pitched Japanese- now a noisy gaggle of gregarious Spanish students wearing matching yellow backpacks.

Brian checked his phone again as he went through the menu. Coffee would give him energy, but for what? His forms were filled and signed and ready to be checked, his day was ebbing away in an idle agenda. Yet like every day for everyone, bounded by food, sleep, maintenance and upkeep.

When the chirpy waitress spotted him and came over he ordered a tuna sandwich and Americano. At the next table two men and a woman were finishing their coffees and talking about money, marriages, and the price of houses. Relaxed in tidy suits, comfortable in their lunch break banter, Brian had narrowed them down to banking or insurance when the beggar approached.

He emerged from the passing crowd not unlike the way Brian had paused at windows, as though some force had plucked him out of a current. Ragged redgrey beard, puffy brown weathered skin, loose old sports jacket, short squat fingers, faded blue tattoos behind worn stubby knuckles. Brian didn’t catch the first muffled request for money but one of the men slipped out of the group’s conversation to say “Sorry mate, not today”.

Something made the begging man stay. He repeated his entreaties to the others one by one, stepping closer and leaning against the table. Their conversation disintegrated.


“I said not today”
“Just a couple of euro for some food”
“Do you mind? We’re trying to eat our lunch in peace!”
“Sure I just want some lunch too love”
“Yeah? I can smell the drink of ya! Leave us alone will ya? Go beg somewhere else”

Lunchtime peace shattered, the intrusion sprouted hostility. The security of outdoor tables was called into question as a wave of uneasiness spread out from the confrontation. Other diners began to look abstractly away but pay close attention. Their pupils narrowed and heart rates rose slightly and their movements became forced. The beggar now snarled. “Look at ye! I hope ye have a life like mine- the worst kind of life.” Then suddenly he reversed and shrank back, and held out his hand. “I don’t mean you any harm, shake my hand. Will ya shake my hand?”. After an uncomfortable pause and stare at the outstretched hand, it was accepted limply, but a low addition from another, “Make sure you wash them now” brought out another twist of anger.

So it went for a minute or two. The beggar flipped from direct nastiness to apologetic gestures, while the group, long since committed to ignoring or getting rid of their assailant, battled to restrain their tempers and tones. Pitches rose and faces flushed. “This is a welfare state! I pay my taxes! Everyone is entitled to a meal and a bed! No, I’m not shaking your hand.” A cafe waiter tried to get the man to leave but instead he shuffled a few yards and returned, this time to Brian’s table, close enough to share a smell of stale beer and disrepair.
With averted eyes and muted gestures Brian reached into his pocket and awkwardly handed out a two euro coin, getting a thank you and a tattooed hand on his shoulder. He stayed in his chair and focused on his coffee cup until calm returned.

The risen tide of lunchtime groups retreated. Streams of passing people continued up and down Williamsgate Street. The sun came out and the patches of grass in kennedy Park dried enough for people to sit. A wino slept in the warmth on a bench next to teenagers kicking a football. Brain checked the progress of the afternoon on his phone. Two ten. Two hundred and sixty-eight.He wondered who two hundred and sixty-nine was. The machine must still be rolling out numbers, its button faded from the pressing of infinite unemployed fingers. A gust of fear blew sharply through his unemployed interior, which felt suddenly hollow. Formless, jobless, in flux. Who owes whom? How does it keep meandering on? Every life spilling, eroding, wearing, growing, backing up behind disruptions and into cracks and through tight narrow bends and eventually tricking on again and falling forward, drop by drop… Was this town really a graveyard of ambition, too comfortable and walkable and visited and prone to grey misty days to foster urgency and success? He rested his eyes again on the river of moving faces and crumpled up the ticket with the discarded napkin on the empty plate. His body seemed distant, his mind a dreambound pilot fighting to awaken, in control of a moody vehicle from a long way away, bidding it to stand up, breathe, walk inside to the till, hold the door for a couple on their way out.

The chirpy waitress smiled as he paid. Her dark darting eyes were brown and a loose strand of wavy hair fell over her face. “Was Everything o.k.?” She asked, her eyes tilting up with the smile. “Sorry about that guy. He’s so hard to shift!” The coffee machine let out a hiss of steam. “That’s ok. what can you do?” Brian had fallen back into first person, living in the brimming details, catching the trail of darting dark eyes, lingering awkwardly, dropping two euro into the jar marked ‘Tips’, deciding that tomorrow he could queue, that it would be something to do, and walking out between the chairs into the tide of people all going somewhere.

Ticket number two hundred and sixty-eight to counter number four.


Ticket number two hundred and sixty-nine to counter number four.

Donal Kelly, August 2013. Trying to be more consistent and follow one effort with another in the hope that something will stick. It seems that a good story is, no more than a good joke- easy to perceive but cursedly hard to invent. Does it take a certain kind of person to think up a new joke? Do you have to be a joker? Can you stumble upon one by accident? Who starts chants at football matches?

Yet maybe drama is not always necessary, action not always vital, and the growth of some fresh edge or digging claw enough to set a frame and get to the thick of a scene.

Posted on

Short Story: The Frape

Buttermilk Lane Galway

Jamie works in one of those offices down on Abbey Street. It’s a call centre or something: the European office of some American tech company. Anyway he’s been there over a year now. Most of his gang are in Australia, though Tommy O’ Rourke is home next month. I’ve been living with him since he moved out of the place down at the docks. He’s a sound guy, though I don’t know him that well to be honest.

Anyhow, he spends all day at work on the phone or on the computer. Half of the time he’s on Facebook, putting up random links and fishing for likes- the usual shite. But he’s a bit serious now, has a streak in him. Nothing nasty but… it doesn’t take much. I don’t think he likes the job, but who does? Sure isn’t work what you do while you want to be doing something else?

Well there’s another guy in his office from the same village Jamie grew up in; another culchie head. They were practically neighbours but there’s no love lost between them. It must go way back, to some primary school row, or an under twelve GAA fight; you know the carry on. There might be something older: a family feud or something. If one met the other in Timbuktu he’d cross the road and look the other way.

So this other guy is a real Facebook addict too; can’t tie his shoelaces without telling the world about it. Isn’t it mad how we’ve all become OCD about checking something that didn’t exist at all a few years ago? Jamie reckoned this fella went to Spain just to get a better profile picture. Sure it’s hard to know what it all means nowdays. You share nothing and people think you hate yourself or do nothing. You share too much and they think you’re full of it, or too insecure to just let life be lived. We’ll all be buying books soon about how to let it go and live in the moment, whatever that is. Didn’t my aul wan buy me one for Christmas? “Getting to Now”, it’s called. I read about five pages.

Sorry, I’m going off on a tangent. I was telling you about this bad blood. You see, Jamie sneaks over to this guy’s computer during lunch and makes changes to his Facebook the odd time. I told you he had a streak. He told me about it one night in here when we came down for a few scoops after work. He keeps it real subtle, small thinks hard to notice, like commenting on strange pictures and adding odd friends. I think he changed the guy’s birthday and ‘de-friended’ some of his best friends and stuff. He was really proud of it. He reckoned he was some kind of psychological secret agent, wreaking the head of his enemy. Sure we all do the same stuff, but normally to our friends. The closer the friend, the more you can get away with! But that subtle stuff, where you’re hiding your tracks… that’s a different style altogether. You know, it’s all about hiding your intentions, or allowing yourself the space to make it out to be a joke. There are fine lines being drawn up all the time; new etiquette needed now that us monkeys have come down from the trees and are up all night spectating on each other instead.

Sorry, sorry, you know I get carried away after a few pints. Jesus I should get rid of those books. To cut a long story short, Jamie was in awful bad form this week. I think he had a row with his girlfriend at the weekend. He went to lunch early yesterday, and when he got back he snuck over to yer man’s desk, , as usual still logged into Facebook. He starts liking a few dodgy groups and sends a message to a total stranger, and God knows what else – I only know what he tells me – and then up pops a message. Right then and there, and it’s from his own girlfriend, and it says something like “C U @ 5 so?” So he must have lifted off the chair, and before he has time to look again he sees the fella coming back into the office. So he ducks out of the cubicle, and I can imagine he was falling over himself getting back to his own desk. Sure when he came home from work he was still white as a sheet. I had to ask him what was up; I thought he was sick or something. His head must have been going a mile a minute. I was like an old granny making him tea and calming him down.

He told me he rang his girl but got no answer, and I got the impression that he tried to follow that guy after work, but he must have lost him. He was totally convinced there was something going on, but how can you know? That was how he went- no half measures, bit of a drama queen. I think he must have gone for a drink. He might have gotten on to her later but I was out training with the Astro-Turf team so I don’t know. He left early today for work, but he sent me this message a few hours ago. We normally meet up here on Friday anyway, but hard to know today. Here, look: “Know now, see u later”. He’s normally the first one here, but it’s after nine now and no sign.

Like I said, it’s a weird one. I hope he didn’t go off and do anything stupid. Funny fish. Anyhow, Your round is it? I know you’re good for it. Same again for me. Hey, what’s that on the news? Is that…? Hey, turn it up would ya?

**************
Donal Kelly, August 2013
Had a go at a first person perspective, let the narrator be a local guy in a local pub telling a story to his mate about another. As usual I have no idea if the end result is any good, though it was interesting to try. It's amazing how different our written speech differs from our spoken. It feels sometimes that how we speak is a pale mistake-ridden version of how we write, but speech is a lot older than writing, and is so much more efficient and context-aware. Speakers use shortcuts and omissions and smatterings of slang and pauses filled with ums and ahs and a 'protocol' for managing question-response, etc etc. With dialogue you have to get the story across in the voices of character, setting the scene without being able to jump in and out of descriptions of mental states or directly describing the setting.
Making the narrator an actual character also forces you to be more aware of the role that a narrator has, always present but often stripped into an objective know-it-all. More food for thought!

Posted on

Poem: Rainy Day in Renvyle

low clouds and rain in Maam valley Connemara

Rainy Day in Renvyle

Rain sweeps across the wide open,
Clouds rolling in from the west,
Tears from the sky set in motion
Blown by a wind that won’t rest.

Ceaseless the changes chase over,
The shelterless landscape at speed.
Soft underfoot grows the clover.
Soft as a heart full of need.

It’s hard to stand tall in this weather.
it’s hard to stand still in this land.
But deep as the bonds of a brother,
Run roots from the ground where we stand.

The flesh of a bog keeps things fresher,
But we can’t sink in history’s grip
Traditions give way to new efforts,
Old lessons will easily slip.

Rain sweeps across the Atlantic,
The tide rises high on the coast
The beauty of sloped Connemara,
Slips into your sight like a ghost.

A sense of a place that seems empty,
Or savage, desolate, bleak.
Is rich to the eye that knows plenty,
We find what we set out to seek.