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Over Loch Fee: Finding Connemara

From up on Garraun you can see out along Renvyle peninsula. Glasilaun, Lettergesh, Mullaghloss, and Tullycross somewhere hidden. Names known since I’ve known names.

Distilled summers of wave on wave, collapsing in rushes, scrambling down grassy slopes. The sea so broad and wide below you can’t take it all in. Or in the other direction, up the bogs, soft soft, following rivers, to the Black lake or the Garden lake over Kylemore or Shanabheag in Currywongan where John Joyce has bees. And winter nights sunk in the soft brokenspringed bed with gales whistling eerie tunes on the thick lumpy gable and the ceaseless roar of the ocean behind and below and inside.

And Mweelrae rising behind Letterettrin, looming over Killary harbour. The Atlantic never far away. Sea salt in the veins of air. I watch a tiny distant car trace along the far side of the lake on the potholed road.

Down there Wilde coined a ‘savage beauty’. A literary tourist’s phrase, now a tag painted so often it crumbles under the layers, like any respectable cliche for its marketibility. A pair of rooks, or ravens, circle overhead, black raggedtipped wings against the tumble of clouds.

Out there on the tip of Rosroe Wittgenstein soaked up harassed solitude, grappling with logic and language games. Only hardy sheep and stubborn buckled trees and acid loving mosses and the creases in a grandmother’s hands.

Right below, Lough Fee, and then a river across the hop skip gap to Lough Muck, all part of the Culfin fisheries. Uncle Jackie won his World Masters fly fishing championship down there with a stump of a brownie from one of those banks. Which bank, I wonder?

Following, chasing, alone up here. What am I chasing? I cannot be what I was. I cannot sieve a soul or reburn a boyhood or strip away layers to uncover some mythical burning core. I am the old roar of ocean and a tumble of fresh cloud.

I stop to sit and look south at Inagh. Cumulus humilis and light leaking across the Bens and Maamturks.

A ewe passes with two following lambs. I take another picture.

I can perhaps, chip away on the latest layer, chisel the texture, scrape some grit into the detail, smudge tone in the shadows.

Already I am hungry and clambering back down to the shore of Fee.

Loch Fee, Connemara, Conamara, Galway, Ireland, Donal Kelly Photography
Loch Fee, Connemara, Conamara, Galway, Ireland, Donal Kelly Photography
Loch Fee, Connemara, Conamara, Galway, Ireland, Donal Kelly Photography
Loch Fee, Connemara, Conamara, Galway, Ireland, Donal Kelly Photography
Loch Fee, Connemara, Conamara, Galway, Ireland, Donal Kelly Photography
Loch Fee, Connemara, Conamara, Galway, Ireland, Donal Kelly Photography
Loch Fee, Connemara, Conamara, Galway, Ireland, Donal Kelly Photography
Loch Fee, Connemara, Conamara, Galway, Ireland, Donal Kelly Photography
Loch Fee, Connemara, Conamara, Galway, Ireland, Donal Kelly Photography
Loch Fee, Connemara, Conamara, Galway, Ireland, Donal Kelly Photography
Loch Fee, Connemara, Conamara, Galway, Ireland, Donal Kelly Photography
Loch Fee, Connemara, Conamara, Galway, Ireland, Donal Kelly Photography
Loch Fee, Connemara, Conamara, Galway, Ireland, Donal Kelly Photography
Loch Fee, Connemara, Conamara, Galway, Ireland, Donal Kelly Photography
Loch Fee, Connemara, Conamara, Galway, Ireland, Donal Kelly Photography
Loch Fee, Connemara, Conamara, Galway, Ireland, Donal Kelly Photography
Loch Fee, Connemara, Conamara, Galway, Ireland, Donal Kelly Photography
Loch Fee, Connemara, Conamara, Galway, Ireland, Donal Kelly Photography
Loch Fee, Connemara, Conamara, Galway, Ireland, Donal Kelly Photography
Loch Fee, Connemara, Conamara, Galway, Ireland, Donal Kelly Photography
Loch Fee, Connemara, Conamara, Galway, Ireland, Donal Kelly Photography
Loch Fee, Connemara, Conamara, Galway, Ireland, Donal Kelly Photography

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St Vincent & The Little Green Cars, Galway Arts Festival, 2015

St Vincent Galway

A big blue tent, in a grassy field, between a cathedral and the River Corrib, July 2015. The Little Green Cars open for St Vincent’s Digital Witness, the feature preeesentation. For a change it’s not raining, though it’s not exactly balmy. Good enough! On with the gig, and better than good enough.

galway arts festival 2015, st vincent and the little green cars
galway arts festival 2015, st vincent and the little green cars
galway arts festival 2015, st vincent and the little green cars
galway arts festival 2015, st vincent and the little green cars
galway arts festival 2015, st vincent and the little green cars
galway arts festival 2015, st vincent and the little green cars
galway arts festival 2015, st vincent and the little green cars
galway arts festival 2015, st vincent and the little green cars
galway arts festival 2015, st vincent and the little green cars

You know it’s your neglect
Is the reason I’m so obsessed with you

Little Green Cars (artist), The John Wayne (song), Absolute Zero (album), 2013

galway arts festival 2015, st vincent and the little green cars
galway arts festival 2015, st vincent and the little green cars
galway arts festival 2015, st vincent and the little green cars

People turn the TV on and throw it out the window, yeah
Get back to your stare
I care, but I don’t care
Oh oh, I, I want all of your mind
Give me all of your mind
I want all of your mind
Give me all of it.

St Vincent (artist), Digital Witness (song), St Vincent (album), Digital Witness (tour)

galway arts festival 2015, st vincent and the little green cars
galway arts festival 2015, st vincent and the little green cars

I went on a whim, with the Canon eos-1n, 50mm 1.8, and a half-cooked roll of Kodak's lovely t-max 100. I shot in Av, at 2.8 outside and 1.8 inside, with spot metering and mirror lock inside to try and get something useable. But I mostly tried to enjoy the music, and only lifted the camera a few times. Did some spotting, re-sizing, and "Flip Canvas Horizontal" in Photoshop after scanning (along with tons of dust) on an Epson v550.

All photos copyright Donal Kelly

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Máméan: Photos and Words

mamean in galway

Máméan, Pass of the Birds

According to legend, St. Patrick blessed Connemara from a well at the top of the pass, and slept there (“Leaba Padraic”=”Patrick’s bed”), though to my limited knowledge there was stuff going on there before that too. There is now a little chapel next to the well and mounds of stones marking the stations of the cross. It is a remote rocky outpost where winds seem to gather, and stone in so many forms fill up to the changeable sky.

Mamean Gate, Connemara, Galway, Ireland (black and white)

Mamean, Connemara, Galway, Ireland
Mamean, Connemara, Galway, Ireland
Mamean, Connemara, Galway, Ireland
Mamean, Connemara, Galway, Ireland
Mamean, Connemara, Galway, Ireland
Mamean, Connemara, Galway, Ireland
Mamean, Connemara, Galway, Ireland
Mamean, Connemara, Galway, Ireland

On Máméan

On Mountains of Máméan stone
Mounds of stones
lead up to the chapel on the Pass of the Birds
Wearied by the winds that funnel through the reeks
by ‘leaba Padraic’

We follow the pilgrim path scratched up the slope,
A journey distilled, to resonate like a lone string,
With all the other journeys,
Tracing the same strewn line,
That never seems to change
Until it is suddenly gone forever.

Names of the dead are scratched on scraps of slate
Scattered on the alter dug into the rock
And left to mark the passings by those who pass
Tracing a path back to the pagans
To a well’s water as deep as the will to drink
In sacred places.

And most of us,
When we reach a summit
Add another stone to the stones
That mark the summit,
Of the mountains
And the Gods or the absence of Gods
That the mountains themselves
Are scratchings of.

On the Pass of the Birds
The grand scheme of things,
Is momentarily reduced
To one foot in front of the other
On a winding path of white shards
Where we lean into the Mámean wind.

Mamean relics, Connemara, Galway, Ireland (black and white)

Photos were taken on a Hasselblad 553 ELX, and a Canon AE-1 Program (first and last images) Ilford Delta 100 film, developed using Rodinol (1+25). There were, unfortunately some streaks on the film after developing. This is the way of film I suppose.